Friday, July 28, 2006

Morning all -- off to my stepson's wedding prep, wedding is tomorrow.

Mike and Mary Bleier will be officially wed by Saturday afternoon; here's hoping the weather holds out, and no one holds out.

See you all here on Sunday or Monday -- have a great weekend!

Wednesday, July 26, 2006

One-Two Punch Library Talks Tonight and Tomorrow Afternoon --

I'm dashing for two speaking engagements:

* Tonight, I'm at the Quechee Library Association at 7 PM giving a film-clip-illustrated talk on Vermont films and filmmakers and selling copies of Green Mountain Cinema, for anyone interested. This is a lively overview on my native state's cinematic legacy, from Way Down East to Nothing Like Dreaming and oh, so much in between! (Quechee Library contact: Linda or Kate, PO Box 384, Quechee, VT 05059; Phone: 802-295-1232; email: quelibra@sover.net
Directions to the Quechee Library:

Interstate 91 to 89; Interstate 89 to the Route 4, Quechee exit -- From the blinking yellow light
at the Shell station on Rte 4 in Quechee, turn north (downhill) on Waterman Hill Road.
After passing under the covered bridge, turn left onto Quechee Main Street.
The Library will be on your right, the second driveway past the Church.
* Tomorrow, I'll be giving a talk on Manga, Graphic Novels and presenting a short comics drawing exercise session at 2 PM at the Brownell Library in Essex Junction, Vermont (contact: 802-878-6956).

Directions: Take I-89 North to the Route 15 East exit (VT-15 E / GRAND ARMY OF THE REPUBLIC HWY via EXIT 15), turn LEFT onto VT-2A / LINCOLN ST., continue to the 'five corners' where Brownell Library will be on your left (6 Lincoln St, Essex Junction, VT 05452).

Hope to see some of you there!

Then, my stepson Mike is getting married on Saturday, so a whirlwind few days, to say the least. See you this Sunday, if I'm unable to post before then...
___

My son Dan and I just saw A Scanner Darkly this morning; one of the best films of the year, and best Philip K. Dick adaptation since Barjo, bar none.

Potent, disorienting, and sad -- had to spend some time in Northampton before climbing back behind the wheel to drive home, since my vision was so skewed by the film. Kudos to Rick Linklater, and as timely as it was when Dick wrote the source novel in 1977...

Tuesday, July 25, 2006

Back to Blogsville!

Ah, home at last and catching up. Apologies for the week away; it was impossible to post while amidst the CCS workshop experience, which seemed to go well for all. Posts to follow all day, on this and that, various and sundry, as I bring this all up to snuff.
___

In the meantime, check out Jane Wilde's trip to China blog. Jane is a dear friend and the erstwhile computer pro helping me construct my new website; I was hoping to launch the site before her departure, but alas, my own heavy work schedule prevented that.

Jane is now in China, and
  • here's her travel blog
  • and here's her China site.
  • Enjoy!
    ___

    My Montreal amigo Donato Totaro has just posted the latest issue of his online film zine
  • Offscreen,
  • featuring his piece
  • "Constructing The Wicker Man"
  • on that most Scottish of horror films and the most recent book on the subject. Check it out...
    ____

  • The Saturday, July 22nd post on Tim Lucas's Video Watchblog is worth a read --
  • -- as is Tim's blog whenever he posts! -- for its comments on the recent announcement of Michael Weldon folding up the tent on Psychotronic as a zine after almost 20 years and over 40 issues, and the comments that has prompted over on
  • Classic Horror Film Board & Forum.
  • Here's the announcement Michael Weldon has been sharing, FYI:
    __

    "After 17 years and 41 issues - Psychotronic is finished for now as a magazine.

    This very difficult decision shouldn't have taken me so long to make but I was still trying to restructure and keep going. I had been planning to publish the very overdue issue #42 (pictured on our web site) but too many things have changed.

    The cost of everything (especially paper, postage and gas) has risen so much in recent years that self publishing (except as a hobby) has become harder than ever. I've been writing Psychotronic movie reviews now for indy publications (mostly my own) since 1977 in Cleveland. It was a struggle to self publish in the 80s and 90s but now its nearly impossible. When PV started (in late 89) issues were sold in many independent record, book and comic shops. Since then most of them have gone out of business. In an attempt to adapt and grow I started using more distributors to send more copies to several big national chain book stores. This works fine for high circulation glossy publications but it can be deadly for smaller lower budgeted ones. Even with a high % of sales, after returns you're lucky to break even.

    Meanwhile the larger distributors (including several that went bankrupt owing us large sums of money) have figured out how to alter their policies, rig their complex contracts, add in hidden costs and fees, and squeeze every penny from the publisher - just like banks, insurance companies, and credit card companies. It gets worse every year.

    Last year a distributor that I had been forced to use a lawyer to collect from went bankrupt and the one I thought would replace it turned out to be even worse.

    I love researching, editing and writing, and plan to continue, but can simply no longer afford to publish a magazine.

    I stopped processing subscription orders months ago but there are a number of you who subscribed (or re-subscribed), had cards charged or check cashed and have received nothing. As soon as possible you will receive full refunds. You also could take out your credit in back issues (#41 is sold out) or other items we sell through the magazine. Just ask.

    If you wonder how some other magazines that are maybe comparable to Psychotronic manage to continue - here are some reasons:

    Be backed by a company or corporation.
    Have a full time paid staff including ad sales people, bill collectors, and circulation, subscription, and shipping people.
    Have special insider deals with a printer.
    Be subsidized by a government (not the USA!).
    Be in full color.
    Have many full page full color ads.
    Give positive reviews to releases from advertisers.
    Run interviews and/or cover pictures that promote current releases (often from advertisers).
    Concentrate on and promote current releases.
    Concentrate only on nostalgia.
    Feature lots of nudity or gore.
    Have (usually unpaid) contributors write all or most of the reviews.
    Leave out politics and references to controversial current events.
    Censor swear words and anything else that might offend.
    Be independently wealthy and not care about profits and loss.
    Be a workaholic with little or no life outside of self publishing.
    Sell a LOT of your own self generated products (T-shirts, public domain dupes of movies...) and/or make % deals with advertisers.
    Promote and sell your publication frequently at conventions.
    Always publish on schedule.
    Be extremely well organized.

    I'm not knocking any surviving publications. I should have used some of these policies myself. Some publications practice several. I have practiced none of them (some by choice).

    I'd like to offer a brief THANK YOU for all the years of support from all of our readers, subscribers, contributors, advertisers, people and companies, who sent us review items, people, publications, radio and TV shows that promoted PV, retail outlets (except the ones that owe us money) and distributors (except the ones that owe us money). Some of you have been with Psychotronic since the original early 80s Manhattan Xerox version or my first book (1983).

    Meanwhile:

    PSYCHOTRONIC WEB SITES - psychotronicvideo.com has lots of reviews and some good sample interviews to read. It has not grown as I had planned though and the mail section is currently a blocked up disaster. The new psychotronic.com is slowly under development. In the future I plan to post more articles, interviews and reviews - maybe (free) whole future issues. I'm currently taking night college computer classes but would still welcome a good affordable (or free) and reliable webmaster.

    PSYCHOTRONIC STORE
    For the past two years we rented out our storefront but we're back better than ever with a "mom and pop" shop at 4102 Main St. Chincoteague Island, Virginia, 23336. In this seasonal tourist area we are even attempting to stay open pretty much all year. Its like a free museum for many people of all ages. If you live nearby, drive nearby, or visit for a vacation, stop in. We sell affordable (used) movie (VHS, DVD, posters, lobby cards, stills, books) and music (LP, CD, books) material, comic books, hand crafted beads, jewelry and findings, and imported clothes and bags from Nepal and India. Some Psychotronic readers have sent us their used discarded and excess videos in the past. We still welcome them and we also welcome used LPs, DVDs, CDs, and comics. If you have excess stuff to give away, trade for or sell - send them here for recycling or get in touch first. We do not just sell what you might consider "Psychotronic."

    PSYCHOTRONIC BOOKS
    Eventually there will be a third Psychotronic movie review book. Hopefully it will include rewritten, updated and corrected reviews from the first two books plus many more from the 10 plus years since the Psychotronic Video Guide. I am also working on other more specific movie, music, and history related books.

    PSYCHOTRONIC RADIO
    I have recently landed a disc jockey job at the local WCTG, 96.5 F.M. which can be heard up and down the Eastern shore from Ocean City, MD down to Exmore, VA. The plan is for me to be live on Sat, Sun, and Mon nights 7-10 playing what I consider the best music from the best era of popular music - basically from when Elvis made the national charts (56) until he died about 20 years later. I plan to play choice top 100 hits, B sides, and LP tracks. Live DJs are are a rarity these days. Most shows are 100% computerized and if they have a voice at all it's pre taped. I also am a frequent guest an Alan Handelman's syndicated (from North Carolina) radio talk show. We take calls and talk for hours mostly about cult movies. See ifitrocks.com

    PSYCHOTRONIC TV?
    Over the years I have been approached several times about doing syndicated or cable Psychotronic TV shows. I vetoed most ideas and even used lawyers to stop one (censored "bad" then recent movies with way too many commercials and lame comic hosts). Last year I was getting very close to doing a show that I approved of on IFC - then (typically) the exec who was behind the project left for another cable station. Some kind of Psychotronic TV show might still develop.

    POLITICS - Yes, politics effect everything. Not since WWII and maybe the height of the Communist scare era has our popular entertainment been so heavily backed and influenced by the CIA, FBI and DOD (Dept. Of Defense) and product placements have become so common that we may as well just pay to watch non stop commercials. Most people seem to not notice or care. Our current government is at war with pretty much everything and everybody (newspapers, columnists, TV shows, commentators, anchors, unions, scientists, democrats, liberals...) that do not agree with and support their policies. Major newspapers are laying off staff members and losing circulation. Fox News gets more bold and influential every year while fewer people read - or vote, and more are in jail. All of this is perfect for establishing a one party government. As long as people are scared, uninformed, ignorant, preoccupied, depressed, cynical... As one of the Beatles once sang: Keep you doped with religion and sex, and TV... Or as one of the Doors used to yell: Wake Up!

    I'm not very happy about the news this week - India terrorist bombings, N Korea missiles, Israel air strikes... New record oil prices. Our local utilities going up 25%. Syd Barrett dead. Meanwhile America's much publicized #1 wanted man is - A Muslim terrorist leader responsible for attacking America? No. - A Morman!

    AN ALTERNATE PLAN
    If I declared myself and my magazine Republican and/or Christian Evangelical based I bet I could get financial backing, a lot of positive publicity, and many appearances on radio and TV talk shows. Not a bad idea actually. I was raised as both a Christian and a Republican and I have many moral objections to our pop culture these days. I could be born again, hope for the Rapture and become the Steven Baldwin of fanzine publishers!

    MONEY - We know that most of you are struggling with 21st Century financial realities in one way or another too - but if any of you who happen to be wealthy (except for porn producers) want to save Psychotronic magazine by investing (or even being charitable) please get in touch.

    Thank you for your patience and support.

    Michael J. Weldon - July 2006"

    ___

    Now, given all the discussion online to date, seems to me a key point has been missed. A comment no one has made as yet that I made a couple of weeks ago during a lengthy phone interview with John Szpunar for his in-the-works book on horror zines, Xerox Ferox, was how the impulse that used to spawn print zines now spawns entire DVD lines and imprints. I used John as an example, given his ongoing work with his partners at Barrel (for whom I painted the DVD cover for one of their early releases, Last House on Dead End Street) -- what would have been the impetus for fanzine efforts in the '70s and '80s has instead sired the Barrel DVD line, pure and simple. John had to agree.

    I believe we now have arrived at a new phase of zine culture, yielding lovingly-detailed and exhaustively complete releases of the kinds of films that used to be the centerpieces of zines. After all, we are in a new media environment, with online 'zines' on the one hand (like Donato's, noted above) and authorized DVD releases of once-obscure curio and classics on the other.

    In fact, many of these releases sport, as extras, nifty and sometimes expansive booklets that are, in fact, l'il fanzines in and of themselves. Add to those print mini-zines the tsunami of DVD bonuses, extras and 'easter eggs' we've come to take for granted, and you have digital fanzines en masse that clearly are 21st Century kith and kin to their 20th Century precursors, available from far more distribution venues than the mail-order-only-Monster-Kids of the '60s would have dared to imagine.

    Consider: in the past year alone, we've savored the back-to-back release of DVDs dedicated to the amateur monster movie makers of the past. These have, in just as short a time, spanned the industry range from truly indy releases to major studio involvement, and now a Criterion edition! Dig 'em, from the definitive collection of Ray Harryhausen's amateur shorts and fairy tales (Ray wasn't just the first "Monster Kid," he was the first to break into the pro filmmaking arena, too) to Monster Kids from an indy label, followed by the announcement of Don Glut's DVD compilation coming soon just as Universal drops The Sci-Fi Boys in our lap as a Best Buy exclusive tie-in with their release of Peter Jackson's King Kong and Criterion, the gold standard of DVD archival labels, gracing us with a glorious packaging of Dennis Muren's Equinox featuring its original 16mm feature incarnation and the theatrical release version I first saw at the Twin City Drive-In on the Barre/Montpelier road back in 1971!

    I could cite plenty of other examples, but this "Monster Kid" plethora of riches is the best example that comes to mind of how horror/sf fanzine culture has culminated in this new form of DVD fanzines -- the fodder of fan pages in Castle of Frankenstein and "The Graveyard Examiner" and "You Axed For It!" in Famous Monsters of Filmland now yields DVD compilations of the amateur horror films we thought we'd never, ever see with our own eyes, spawning an odd mini-industry. This is historic and as profound a change as the emergence of online zines in the chronology of this strange genre of fanzines.

    As Tim notes on his blog post on the topic (and note, too, that Tim & Donna Lucas continue to publish Video Watchdog under the very conditions Michael details: no corporate ads, funding, sponsorship, etc.), there are still plenty of print zines on the racks, and it's far too early to be singing threnodies for the format. Print is not dead.

    But the passing of Psychotronic -- which I snagged in its early NYC tabloid format in 1981, and have subscribed to in its zine format since its first issue -- is indeed worthy of note. I've been in Michael's shoes (when I decided to pull the plug on Tyrant and SpiderBaby as a self-publishing venue), and having been there must note (again, as Tim does) that frequency of publishing no doubt took a toll. Twice a year, tops, for Psychotronic simply couldn't have maintained sufficient income for self-sufficiency for the zine alone, much less the Weldon household. By the sound of it, Weldon is enjoying a better living from his Psychotronic record shop: brick-and-mortar retail is feeding him in ways the zine never, ever could. I went through my own variation on that transition, too (from comics to video-store-manager, 1998-2005), and can empathize.

    Now, I did and do love the zines that exist, from the days of my youth to the present. But I'm glad to have lived long enough to enjoy this new zine era of restored and majestically packaged DVD releases of films I never thought I'd see complete, or in their original language, or at all in any form.

    The abundance of DVD booty for all tastes is indeed the culmination of decades of zine culture -- the zines nurtured the market at a grass roots level, and whether you're considering the horror film DVD boom or the riches of anime labels in the US today, it all grew from the fanzines of the past. Sans the zines, none of this would exist. Michael Weldon, via two incarnations of Psychotronic as a zine and two seminal, essential Psychotronic books -- and everything else he had a hand in -- actively nurtured and midwived this transition from zine realm to booming DVD marketplace.

    Decades of home-made zines, bootleg black-and-gray market video venues, and the whole weird scene has blossomed impossibly into the fertile DVD market of today. This is a market where indy labels spring up monthly, some with the most peculiar focal niches; where once-despised filmmakers from Jess Franco to Andy Milligan are sales-worthy, even imprint-worthy, names to conjure with, earning their own multiple boxed sets; where stuck-in-the-vaults never-released gems like Mario Bava's Rabid Dogs can at last be completed and brought to market; where the likes of Universal, MGM and Paramount raid their corporate vaults with varying levels of interest and attention (from the sorely-missed MGM Midnite Movie line to Paramount's hit-and-miss archival releases, occasionally yielding reverently-packaged gems like their Danger: Diabolok); where the elite Criterion caters to a base hungry for their occasional Fiend Without a Face, Carnival of Souls and Equinox deviations from more rarified World Cinema classics.

    Paramount yielding to the demands of Mario Bava fandom; Universal acknowledging their Hammer Films package is worthy of release, and even indulging the love letter to Monster Kids that Sci-Fi Boys embodies; who'da thunk it? We've gone through the Looking Glass, and many of us couldn't be happier.

    We're at last able to see the films in their pristine state. Fanzines were, in part, about evoking/emulating/capturing the film experience once denied us: articles, photos, entire issues that were essentially souvenirs and mementos of films once-seen and forever-loved, but impossible to share as film experiences. The fanzines were the closest we could get, all too often, to rekindling a fleeting 90-minute experience that had changed our lives, or to tasting a film we simply could not see. Fanzines often detailed what was missing from the films we loved, cut for US release or trimmed forever for business reasons; now, DVDs of those very films feature restored, uncut transfers.

    I'll forever love the fanzines that nurtured this lifelong passion in me, but trade the zine experience for seeing the films themselves? Never.

    Luckily, that's not a choice I have to make: the DVD restorations are the new fanzines. I get my cake, and eat it too.

    Of course, the best zines did much, much more than that, Psychotronic among them. But dig, the interviews, the articles, the essays that provided context for more than just a single film -- those are now part and parcel of many of the DVDs we enjoy today, too. Ecco wrote about Mondo movies; Blue Underground put the very Mondo movies on shelves, complete with a full disc of interviews, documentaries, etc. -- Ecco Deluxe, plus the movies themselves.

    The best surviving zines (including Watchdog and Tim's canny online companion, the Watchblog) now dialogue openly with this new DVDzine culture, bringing the gems to our attention, noting the lost opportunities or "not really uncut" nature of some of these "uncut" new releases -- thus, indispensible (for some) companions to the new DVDzine culture. So it goes.

    Yes, it's sad to know Psychotronic #41 is the final issue of that venerable zine.

    But we're in a brave new era -- one that Michael Weldon actively midwived, though he chose to remain working on a level that eventually denied him the material rewards of this new age (e.g., no Psychotronic video label with Weldon as its mogul). That's how these changes and markets work, alas. Still, we owe Michael Weldon much for this brave new era, where the once-unimaginable, unreachable riches are all in reach for those who can afford to indulge their fondest tastes.

    From this vet Psychotronic reader and fan, thanks, Michael. Best of luck in all you do.
    _____

    More later...

    Sunday, July 16, 2006

    A Busy Week at CCS and Beyond!

    This is the key week of summer workshops at The Center for Cartoon Studies, and I'm working like a dog all day to wind up prep for the crunch ahead. Once I'm in the classroom, I'm fine, but the prep for these has me sweating.

    Anyhoot, who cares about that. You don't.

    Here's what we're doing this week, as its posted on
  • the CCS program site
  • (scroll down to "SUMMER WORKSHOPS 2006"):

    History of Comics Intensive (ages 16 and over)
    July 17-19 (Monday-Wednesday)Tuition: $540
    In three breathtaking days you'll cover the history of comics as taught by cartoonist and historian Steve Bissette. Faculty: Steve Bissette, James Sturm

    Educators Workshop
    July 20-22 (Thursday-Saturday)
    Tuition: $540
    Whether you teach science or art, learn to incorporate cartooning in your classroom. This workshop is co-sponsored by The National Association of Comics Arts Educators (NACAE). Faculty: Steve Bissette, Michelle Ollie

    Here's more info than you'll find at the CCS site:
    ____

    The Center for Cartoon Studies (CCS) HISTORY OF COMICS INTENSIVE workshop

    SCHEDULE:

    NOTE: All Bissette sessions will be multi-media, including film & video clips

    Monday, July 17:
    All day instructor: Stephen R Bissette
    9:30 AM - 10:30 - Introduction, Pre-History of Comics
    10:30 - 12:30 - Early Comics: Comic Strips

    12:30 - 1:30 PM - LUNCH

    1:30 PM - 4 PM - Comic Books: The Golden Age, Pre-Code, and Beyond

    MONDAY NIGHT: MOVIE NIGHT at CCS! (optional)

    Tuesday, July 18:
    Morning instructor: Bissette
    9:30 - 11:00 - Censorship: The Wertham/Kefauver Hearings, birth of the Comics Code (Stephen Bissette)
    11 AM - 12:30 PM - Harvey Kurtzman & MAD, The Silver Age Pt. 1

    12:30 - 1:30 PM - LUNCH

    1:30 - 2:30 - Underground Comix (James Sturm)
    2:30 - 4 PM - POP art, the Silver Age Pt. 2

    Wednesday, July 19:
    9:30 - 11 AM - The 1970s and Beyond (Stephen Bissette)
    11:15 AM - 12:30 PM - Mini-comics (Robyn Chapman; Schultz Library)

    12:30 - 1:30 PM - Lunch

    1:30 - 4 PM - Intro to Manga; The New Age: 1980s to present; The Graphic Novel (Stephen Bissette)
    _____

    The Center for Cartoon Studies (CCS) EDUCATOR’S WORKSHOP 2006

    SCHEDULE
    Thursday July 20

    9:30am – 10:30am Overview & Intros - Steve Bissette

    10:30am – 12:30pm Comics for reading - Steve Bissette

    Comics in Education: Supporting the Curriculum with Comics Literature

    Political Cartooning.

    12:30pm-1:30pm Lunch at Main Street Museum on the deck

    12:30pm-4pm Political Cartooning discussion continued…

    Educational and Instruction Cartoons – Steve Bissette

    7pm Movie Night – Steve Bissette (optional)

    Friday, July 21

    9:30am – 10:30am Intro to Developing Study Guides & Lesson Plans – Michelle Ollie

    Developing Study Guides & Lesson Plans

    10:30-11:30am Four Graphic Novel Study Guides – Steve Bissette

    # Trip to the Schulz Library at The Center for Cartoon Studies – Colleen Frakes

    # Review types and categories of Graphic Novels – Colleen Frakes

    11:30am-12:30pm A workshop on Cartooning for Young Adults – Robyn Chapman

    12:30pm-1:30pm Lunch

    1:30pm-3pm Creating Classroom Exercises and Activities – Steve Bissette

    Design and Drawing Exercise

    4pm Dartmouth Lecture: John Lent. Location: Hanover, New Hampshire

    Saturday, July 22

    9:30am-10:30am Cultural Studies – Steve Bissette

    Location versus Work: A Vermont Cartoonist Study

    10:30am-12:30pm Cultural Studies – Ana Merino

    12:30pm-1:30pm Lunch

    1:30pm-3:00pm Language and Comics – Ana Merino

    3:30pm-4pm Wrap up discussion – Steve Bissette
    ____________

    Whew! I'm going to be a happy French Fry at the end of this coming week!

    Hey, but that's not all that's shaking in July:
    ____________

    New Hampshire cartoonist extraordinaire
  • Colin Tedford
  • and Brattleboro's own Daniel Barlow, also of
  • the Trees & Hills Comic Group
  • are extending an invite to any & all cartoonists in VT, NH and western MA (and beyond, if inclined) to a gathering of cartoonists on Saturday, July 29 from 12-5pm in "the sunny, well-tabled food court of the Colony Mill Marketplace in Keene, NH". The food court is near the Gilbo Ave. entrance
  • (here are directions to the Colony Mills marketplace).
  • Colin notes, "this event is not sponsored by the venue; the venue is a convenient public place; Dan adds, "This is a temporary location as we seek a better spot in the Keene/ Brattleboro area." Got it? Got it.

    Colin says, "We'll probably meet elsewhere in the future, but it's a nice enough space to work and socialize in. Bring your comic-making supplies and prepare for creation and camaraderie - and if you have "product" (comics - mini or otherwise, t-shirts, etc.) feel free to bring some to sell or trade! I run a mini comics distro and will be buying comics. Hope to see you there!"

    Colin posted this info on this blog as a comment a day or two ago, adding, "I met a couple of the lucky incoming CCS students Tuesday, and acquired a "Virgisaurus" statuette at the Main St. Museum. Yeah!"

    Colin & Dan extended the invite to my son Daniel and I, but we're going to be busy on the 29th --
    _______

    My stepson Mike Bleier is getting married on the 29th!

    That's where we'll be -- and you won't! -- more info later --
    ________

    A little treat link, compliments of Irwin Chusid, alerting us to the fact that "Ward Jenkins writes about and posts images -- including unpublished mock-ups
    -- from the 1957 children's book by Jim Flora" (the amazing '40s and '50s music industry and book illustrator)
  • The Day the Cow Sneezed!
  • (And here's a Flickrset of the images!)
  • Great stuff -- Enjoy!

    -- have a great Sunday, folks. Note that I may not be blogging much this week, per the schedule above!

    Thursday, July 13, 2006


    EVERMORE! Good News for Sparky! (And All Richard Corben Fans...) Not to Mention Great New Work from Mark Martin, Rick Veitch, and Bob Fingerman...

    Hey, I've recently completed a bunch of writing for
  • PaneltoPanel.net,
  • but there's way more there than just my piddly-ass scribblings to check out there...

    * My review of the new Richard Corben/Rick Margopoulos comic, Edgar Allan Poe's Haunts of Horrors is
  • lurking here.
  • [Cover art (c)2006 Richard Corben.]

    * Mark Martin fans,
  • you most definitely need this,
  • not to mention
  • your Friday fix of Everything.


  • * Rick Veitch fans,
  • you can get Can't Get No.


  • * Bob Fingerman fans,
  • you need some Recess Pieces, like, now.


  • Note there's always
  • a bounty of exclusives at PaneltoPanel.net,
  • and they're worth checking out first before you shop elsewhere, 'cuz PaneltoPanel is working with the creators themselves to bring 'em to you.

    Have a great weekend -- I'll try to post, but only time will tell if I can!

    Latest on Valerie Plame

    Well, finally --

  • "Former CIA officer sues Cheney over leak"


  • The story, by Toni Locy, Associated Press Writer, states "The CIA officer whose identity was leaked to reporters sued Vice President Dick Cheney, his former top aide and presidential adviser Karl Rove on Thursday, accusing them and other White House officials of conspiring to destroy her career.

    In a lawsuit filed in U.S. District Court, Valerie Plame and her husband, Joseph Wilson, a former U.S. ambassador, accused Cheney, Rove and I. Lewis "Scooter" Libby of revealing Plame's CIA identity in seeking revenge against Wilson for criticizing the Bush administration's motives in Iraq...."

    Tuesday, July 11, 2006



    Cleaning House on Tuesday

    ...and look at the little bastards I found lurking amid the dust bunnies. [All art (c) 2006 SRBissette, natch.]

    Am I the only one besieged with banner ads for giant throbbing swelling infected toes this morning? One actually has an animated graphic lifting the big toe's nail off to expose the site of infection. Brrrrrr! Just what I needed at 6 AM. I feel like Lester Gass: "These giant throbbing toes, only I can see..." (since we're all seeing the Giant Leering Arabs these days, I reckon S. Clay's favorite misogynist character has to move on to something else eventually).

    Five-Town Broadband Committee meeting tonight; non-stop scanning (for next week's one-two punch CCS workshops I'm teaching) all day, and more -- so, a potpourri plethora of posts through the day, hitting various points with little point other than each point's point:

    * Mike Mignola and Hellboy fans, take note!
  • The Eisner-Award winning Mike Mignola comic The
    Amazing Screw-On Head
    is now an animated pilot!
  • Thanks to an unexpected email from Mike's sweetie Christine Mignola, you now know "an animated pilot has been completed and the Science Fiction Channel will be testing it on Scifi.com on Thursday, July 13th" -- click the link for more info, and screw that head on properly, bunkie!

    * VT Film Commission co-founder and fellow WRIF (White River Indy Film) committee member Bill Stetson sent me the following merger of comics, government, and environmental activism:
  • Polluters of America's waterways, prepare for Ganymede the Waterkeeper!
  • Yep, his name is Ganymede, that link brings you his debut image, and here's a few choice excerpts from the press release:

    Starlight Runner Creates "Ganymede," New Comics Superhero to Debut in Waterkeeper Magazine's Summer Issue -- Waterkeeper Alliance Introduces Environmental Champion

    New York, NY - July 6, 2006 - Move over, Batman, Spider-Man and Catwoman! A new guardian of justice is on his way, and he's not happy! Polluters of America's waterways, prepare to be struck by a Tidal Blast from Ganymede the Waterkeeper.

    Ganymede is the brainchild of Jeff Gomez, president and CEO of Starlight Runner Entertainment, Inc.... "We conceived Ganymede because he is the mythological cup bearer to the gods," says Gomez. "Water is the source of life." The new superhero has turned out to be a lifesaver for Waterkeeper Alliance.

    "Waterkeeper needed magazine cover art to creatively illustrate the problem of illegal sewage spills," says Gomez from his office in Manhattan. "My first thought was how valiant the people of this organization really are. Waterkeepers patrol and fight for their lakes and rivers, bays and coastlines. What Waterkeeper Alliance needed was a new superhero who could raise awareness in young people about this critical issue."

    "Waterkeepers are superheroes," says celebrated environmental advocate Robert F. Kennedy, Jr., president of Waterkeeper Alliance. "Pollution is as insidious and evil as any comic villain, only it is real. Waterkeeper has 153 leaders around the world standing for their waterbodies, confronting polluters and fighting for clean water and strong communities."


    The origin of this latest environmental comics character? Move over, Swamp Thing! Read on --

    Celeste Swan, an African-American Waterkeeper, while testing the water in her local river, finds human waste. The illegal sewage spawns a huge hideous monster...and FWAASH! The blue superhero Ganymede strikes like a storm to vanquish the beast. Swan knows better, however. It takes more than just a muscle-bound water elemental to get to the heart of the pollution dilemma. She vows to fix the problem using whatever legal means necessary.

    Wolff & Byrd, look out!

    "Swan, like all Waterkeepers around the world, takes personal responsibility for her waterways and is proactive in her approach," says Eddie Scher, communications director of Waterkeeper Alliance, from his office in Irvington, New York. "Sewage spills are not an easy problem to illustrate. Comics allow us to show how Waterkeepers work: confront the problem, solve it and move on to the next problem."

    The comic strip adventures of Ganymede & Celeste Swan are featured on the front cover of the Summer 2006 issue of Waterkeeper magazine, available for $5.95 from
  • here.
  • The further adventures of the dynamic duo are set to continue in subsequent issues of the quarterly magazine.


    There's more, but you get the idea -- keep an eye out, folks.



    * Can it be true: Only $600,000 spent investigating the collapse of the WTC on 9/11, versus $40,000,000 spent to investigate President Clinton?

    Tell me this factoid that was emailed to me this morning is wrong. Anyone. Please.

    How much have these fools spent on their investigations of everything but the ruling GOP/President/Administration's behavior & crimes, while the reality is so much more horrific?:

    * The President W. Bush Commemorative Era of Real-Life-and-Death Online Snuff Movies is only getting nastier.
  • "Tape claims 3 GIs killed over rape-murders"
  • from Associated Press writer Robert H. Reid. "God Almighty enabled them to capture two soldiers of the same brigade as this dirty crusader," said the written statement posted along with the video. Nothing said whether the the two slain soldiers — Pfc. Kristian Menchaca and Pfc. Thomas L. Tucker — whose bodies were found on June 20, were indeed part of the same brigade as accused rapist/slayers/co-conspirators Sgt. Paul E. Cortez, Spc. James P. Barker, Pfc. Jesse V. Spielman, Pfc. Bryan L. Howard and Sgt. Anthony W. Yribe. Time will tell.

    Though Iraq has yet to yield a US atrocity on the scale (body-count wise) as devastating as the Vietnam War's notorious Me Lai Massacre, we're getting there, as our Congress stupidly ditzes about with flag-burning amendments, gay marriage homophobia, video game violence (huh, you think war-mongering in real-life carries a bit more cultural heft, do ya?) and everything but the real world.

    What a sick fucking country we live in... willfully exploiting our rage and sorrow, we dupe ourselves collectively into supporting a completely bogus war and foment further global friction and hatred. We drop our own ill-equipped, trained-to-kill teenagers into the Middle East based on lies (Iraq had nothing to do with 9/11) and reign 'em in/turn 'em loose under a sociopathic neo-con leadership to act as untrained policemen in a country festering with all-out civil war prompted by our attack/"liberation"/invasion/occupation.

    Of course atrocities follow. It is inevitable.

    These atrocities, this war, these leaders of ours shame and degrade us all, and every honorable soldier serving. Our addiction to "Victory Culture" via nonsensical undeclared wars that cannot be victorious in any scenario -- much less the current one -- is bearing its terrible fruit.
    __

    Ragmop quote of the day:

    "Isn't that just like a woman. Blaming her personal failures on an imaginary patriarchal system where women are excluded on the basis of their sex."

    Monday, July 10, 2006



    [Marge & Steve in Copenhagen, at the Amager Torv fountain - Photo (c) 2006 Arni Gunnarsson]

    As promised, posting once more today...

    * I've been meaning to post some of Marge's photos from our trip to Copenhagen and Komiks.dk, but that'll have to wait. In the meantime, though, check out
  • Arni Gunnarsson's online photo gallery
  • for a peek at some of our fellow travels and highlights. Rubbing shoulders with the likes of Marv & Noel Wolfman, Leah Moore & John Reppion, José Villarubia and all our marvelous hosts (including Arni!) made it a memorable weekend -- next time, we'll have to find a way to spend a couple of weeks, if only so Arni and I have time to hash over politics a bit!

    * Curious followup to the past two days's posts here: check out
  • Tim Lucas's July 9th post on Lulu.com.
  • Many of you might know about this, but if not, it's worth reading and following through the links!

    * Reminder if you're in the Brattleboro area: Tonight's the night Marek Bennett is offering his free comics creation workshop, beginning at 7p.m. at The Commons office, 139 Main Street, 2nd floor, Brattleboro. No prior drawing experience is necessary. Materials will be provided. Participants are encouraged to bring their imaginations! For ages 8-88. No reservations necessary. Carpooling and childcare arrangements can be made by calling in advance. To arrange a workshop in your town or neighborhood or for further information please contact (802) 348-7701 or email Marek at marek@sover.net, or bip over to his website
  • Marek's site.

  • ___

    Today's Ragmop quip of the day:

    "How long do you expect the largest meat-eating land animal of all time to live on Tang and Space Food Sticks?"

    Monday Mornin' Moanings & Mopin'!

    Hey, y'all, follow up on yesterday's post (and comments -- read those, too, before you dive into the following, please!):

    * Thankfully, Stan at the Alan Moore site and I are working this out, which is always my preference in every case. Stan wrote a very polite response back to me, and removed the complete Comic Book Rebels Alan Moore interview from the site. This morning I replied:

    Hello, Stan --

    Thanks for writing, and for acting on my request.

    I'd welcome an excerpt being run -- let me know what portion (preferably, no more than 1/3-1/2) you'd like to run, and I'll contact Stanley directly.

    If you'd be willing to provide links to our respective sites/blogs on that page, too, that would be greatly appreciated.

    I await your reply, many thanks --

    Stephen Bissette


    So, it's going well. I'll keep you all posted.

    Bottom line: Heck, Stanley Wiater and I might have plans for some of those Comic Book Rebels interview ourselves. It's our property; you've gotta ask before you appropriate an entire Comic Book Rebels interview for online publication or use.

    I went through a similar situation prior to the first publication of Comic Book Rebels (via the late Donald I. Fine, NYC independent book publisher) back in '93. A portion of my Dave Sim interview had been prepared and published (with Dave's knowledge/permission) in David Kraft's Comics Interview magazine the previous year, as Stanley and I were working on the book. This served multiple purposes: I'd been interviewed for, and done other interviews for Comics Interview (e.g., Peter Laird and the Mirage studio artists, etc.), and David K. and Dave S. wanted to pull together a Cerebus issue. Since Dave S. knew I'd be interviewing him for CBR anyhoot, he suggested to David K. I do the interview for Comics Interview, too -- easy pie. This took care of Sim, Kraft and one of our planned key CBR interviews, so everyone was happy.

    Unfortunately, the following year, soliciting for the very month Comic Book Rebels was hitting bookstores, David K. announced a reprint edition of my interview with Dave Sim for a Comics Interview Cerebus Special. Now, David K. never had any contracts or written agreements of any sort for anything I did for Comics Interview, and the fact of the matter was the contract Stanley Wiater and I had with Donald I. Fine had certain provisions that made the announced solicitation featuring my Dave Sim interview problematic (I had informed our editor of the interview excerpt appearing the prior year, which was no problem -- but a non-promotional reprint the very month of CBR's release would be an issue). David K. had not contacted me beforehand -- if he had, if only to ask permission, I likely could have arranged for a CBR ad or notice or something to be placed in the CI Cerebus Special, making the reprint at least a promotional opportunity -- and the first I knew of his reprint plans was via the Diamond solicitation.

    I immediately contacted David K. by phone, and he -- went ballistic. He made some wild claims (including owning copyright -- quite contrary to our prior discussions, and sans contract, his claims meant zero) and accusations ("Have you no honor??") and was mighty pissed off, but in the end he bitterly complied (and cut off my comp Comics Interview sub, which was the only form of barter/payment I was ever offered in any case).

    This is part and parcel of owning copyright to your own work (and in the case of interviews, it is indeed the interviewer who owns the interview; I cannot, for instance, reprint interviews others have conducted with me as the subject on my own site, sans permission; when Rick Veitch and I used 1993 interviews with all the 1963 creators on our respective comicon.com sites, we requested permission to do so from the writer who'd interviewed us). You have to protect your ownership when you see it being abused or appropriated. Trademarks require even more vigilence: you protect them or you lose them, pure and simple. Back in 1999, my dear friend Jean-Marc Lofficier alerted me to an proposed business venture using SpiderBaby Grafix as their moniker; I've dealt with a number of Taboo uses, too. In all cases, we settled the matter amicably and off the radar. It's never pleasant, making the initial contact and having to press the other party at first, but really, it's part of the job description.

    Being courteous, polite, and diplomatic in all possible cases is the best policy -- after all, back in 1952 it was Ray Bradbury's polite letter to EC publisher William Gaines about their appropriation of some of his stories for their unauthorized "adaptations" that led to Gaines wisely responding with a check, an apology, and an invite to initiate authorized adaptations. This was the first time a living author had worked with a comics publisher on authorized adaptations of his work, and the rest is history (and common practice in today's industry, right to the graphic novel explosion of today).

    Sometimes -- thankfully, quite rarely -- one has to move beyond diplomacy, and may even have to use legal muscle. Thankfully, that's indeed rare.

    Marty Langford asked what I'd do if he posted art from my blog/site on his own for promotional and linking purposes -- well, Marty, I'm with Mark Martin (see his comment, replying to your comment) on this one. If you're posting my art from here, with credit (and hopefully copyright notice), and doing so to (a) discuss, (b) promote, (c) acknowledge my work, or some element relevant to the work, or best of all (d) to educate, that's "fair use" in my book, Marty.

    You'll note, on this blog and on my site (coming up!), I apply "fair use" legal principles myself. I will be excerpting art, iamges, panels, covers etc. from works under discussion -- whenever possible, I will request permission first (I did discuss, with Lance Weiler, my using this blog to discuss/promote Head Trauma, and he enthusiastically said "sure!"). Sometimes, I post images (this past week, I posted The Mudge Boy images sans permission, but in context of endorsing the film itself and its DVD release, along with Michael Burke's work in general) and/or text sans permission, but (unless I don't know where something came from) with links to the source material and clear acknowledgement of same. If I'm asked to remove content, I do and have.

    There are certain materials I will blithely post: public domain material (including old pressbook ads, which are both public domain and "fair use," as those materials were rarely copyright-protected), "fair use" (with acknowledgement of source/owner) of images/components/panels of larger works, etc. But I'm careful and do my best not to rip off anyone. I posted Mark Martin's 50th birthday portrait of yours truly -- with Mark's copyright in place -- but I didn't ask first. You OK with that, Mark? It was a fair assumption you were, so I went ahead, knowing if you had a problem, I'd hear from you.

    Recently, a character I own was adapted by a couple of friends to a new graphic image/use -- they kept me notified, and it's a hoot -- and I have asked and recieved permission to use it here (though, as a courtesy, I'm waiting until it appears on their blogs/sites first; it may be my property, due to my character's appearance as its sole subject, but they created this new image, I didn't). This is all friendly, amicable and open use and exchanges, and everyone benefits in the end.

    As for posting art from my blog/site: as Mark Martin notes, these jpgs aren't high-res files suitable for reprinting/published use -- you're not stealing my work for print reproduction -- and if you're posting my work with links to my site(s), blogs, and acknowledging it's my work, I'm fine with it. If you're building an entire gallery of my work on your site, sans initiating contact with me, best ask me first. Posting art/images occasionally and/or for specific purposes is fine -- for instance, fans post galleries of sketches, including my own efforts, and that's a familiar and favored form of fan gallery postings -- but extensive use or re-use can prompt a letter such as that I sent to Stan concerning the Alan Moore interview.

    However, if you're reprinting (particularly a text piece or entire comic story) in its entirity, as content on your site, sans permission or even the courtesy of contacting me (easily done in this internet era, and hence even more inexcusable than the days of yore), that's a problem.

    Note that I've specifically asked Stan if he'd post links accompanying the Moore interview material to co-author Stanley Wiater and my own sites & blogs. This is a form of barter in the online universe, and thus makes what was an inappropriate 'theft' of material into a transaction favorable to the author/artist. In fact, had Stan simply done so (though it's good he at least acknowledged the source and authors of the interview, which many online thieves do not), this would/could have been handled quite differently.

    More later, as this is all sorted out!

    (And more of a post later today...)
    ___

    In the meantime, if you can handle flash-animation, check out this honey of a link Ragmop creator Rob Walton just sent me.

    It's not "better than Ragmop" (as Rob stated in his subject line to me), but it's pretty funny! Election year Blue-State blues got you down?
  • Go Red!


  • Kudos to Brian Frisk for his cool and savagely funny creation --

    -- OK, more later --

    Sunday, July 09, 2006

    I'm Sure They're Very Nice People, But...

    Quick post today, just to note the occasional need to nip online piracy of work in the bud. I'm sure Stan Coleman is a great guy and his Alan Moore site is a beaut, but -- well, read on. This is pretty self-explanatory.
    _________

    http://www.4colorheroes.com/contact.html

    Feel free to Contact me anytime if you have any questions concerning anything on this site.

    By e-mail I can be reached at stan@4colorheroes.com

    Or you can reach me by snail mail at:

    Stan Coleman
    311 Redbud Lane
    Salem, Indiana 47167

    Thanks again for stopping by.
    _____________________

    Hello, Stan --

    I hope this finds you and yours well!

    Exploring your site, and found:
    ____

    http://fourcolorheroes.home.insightbb.com/free.html

    Alan Moore Interview from Comic Book Rebels
    This interview originally appeared in the book “Comic Book Rebels: Conversations with the Creators of the New Comics” by Stanley Wiater and Stephen Bissette, published by Primus in 1993. It is a collection of interviews with the top creators of "new" comics -- Alan Moore, Neil Gaiman, Dave Sim, Frank Miller, Scott McCloud, Moebius, Dave MicKean, Todd McFarlane, and others. I would like to thank Damien Lamshed for transcribing the interview for us all to enjoy.

    To Read for yourself...Click Here
    ____

    I hate to jump on you, but devotion to a particular creator does not excuse copyright theft.

    The Alan Moore interview from COMIC BOOK REBELS is NOT free for online transcription/downloads.

    Permission was not asked, and thus is not granted.

    If you want to contact Stanley Wiater and myself to discuss the interview being excerpted (not run in its entirity), feel free -- but please remove the interview from the site in the meantime.

    Please and thank you.

    Best, always,

    Steve Bissette
    msbissette@yahoo.com
    _____________

    OK, back to the post --

    Note that the end of the interview on Stan's site is followed by the acknowledgement, "Taken from Comic Book Rebels. Conversations with the Creators of the New Comics. [sic] By Stanley Wiater & Stephen R. Bissette. Underwood Books, 1993,1997."

    "Taken from" is the operative phrase here.

    I do hope Stan replies, and I'm sure Stanley Wiater and I would be open to excerpts of our interview appearing on Stan's site with permission, but the transcribing and scanning of copyright material online is epidemic, and when one finds such things, sans even an attempt to secure permission, one must act accordingly.

    Have a great Sunday...

    Saturday, July 08, 2006

    Coming Your Way Soon...



    The makers of The Last Broadcast, The Ghosts of Edendale & Head Trauma beckon for YOU! I'll be posting lots of info, links, insights and art in the next week here about Stefan Avalos (left) and Lance Weiler (right) and their films, and what's coming up at the end of September from both of 'em.

    Lance just got back from a successful Los Angeles debut of his new feature Head Trauma, and brought back lots of news -- and I'm at last able to post some of the art my son Dan and I did for the movie! More this week!
    _______________



    Rob Walton's graphic novel Ragmop is coming, too, and I can hardly wait. At last complete in a single volume, completely expanded and revised (in part to incorporate our new political reality, including caricatures of our current US President and his sociopathic Administration), Ragmap was among my all-time favorite comics series of the 1990s -- sadly, the market implosion of '96-97 brought it to a premature end before Rob had completed the series, but that's been rectified in spades and it's coming our way later this year.

    Now, stick with me, this is a bit complex. It all begins in Gondwana, 248 million years ago, with a raucous chat betwixt three wiseass dinosaurs, Darwin, Huxley & Einstein before the expected arrival of a colliding asteroid (by one of 'em, at least, espousing the asteroid theory as prophecy) and unexpected arrival of Baron Von Ruud and his spaceship. The saurian stooge trio spacenap the vessel and thus arrive in our own era -- just in time to almost collide anew with the same damned asteroid 248 million years later, and rescue heroine Alice Hawkings (aka "Thrill Kitten") from her own near-collision with a heavenly body (aboard a space vehicle identical to that Cavor launched in First Men "In" the Moon -- am I losing you yet?).

    In the interim, though, before her rescue, Alice has survived a botched Tarantinoesque heist, an encounter with the lobotomizing-on-the-spot misogynist psycho-atrist Dr. Lifton Freedman, the lethal Cardinal Assassini (Walton's pre-Da Vinci Code papal hired killer), the Bush Administration and The Man in the Chair, The Brinkley Boy, and -- oh, Christ, lots more. Ragmop is a truly cosmic comedy epic (featuring Tetragrammaton -- God himself! -- so how more cosmic can you get?) with the mysterious 'O'Ring at its mind-blowing core, and it's about time this unsung classic was completed in style and showcased in one fat volume!

    I'll be keeping you posted here, but don't forget to keep tabs on
  • Rob's site.

  • _____

    And--

    * Top Shelf publisher Chris Staros writes to note, "Actually holding in my hand today the very first copy of Lost Girls. May just be the most beautiful comics package ever."

    Don't miss this one -- the first-the-first-time complete Alan Moore & Melinda Gebbie erotic graphic novel that began as a serialized feature in Taboo -- which you can find out more about
  • here,
  • and order pronto from
  • here, at PaneltoPanel.net.

  • It's gratifying to see another "loose end" (and what an end!) from the Taboo years reach fruition, and I can't wait to hold a copy in my own hot little hands.

    At the time of it's debut in Taboo 5, Lost Girls was an extraordinary experiment and quite a risk -- not for its erotic content per se (though it was almost always sexual imagery, not violence or mayhem, that landed Taboo in censorship and censure hell), but for its full-color production, which had to be completed in the UK so Melinda's delicate, quite fragile art wouldn't suffer in the shipment, or be seized by US customs (which was highly likely). Still, copublisher Tundra was up for the gamble, and we went for it. As with everything that came out of the Taboo experience, I was blown away with all that Alan and Melinda accomplished, and was sorry to see Lost Girls suffer setbacks and delays over the past 15 years. At last, Chris Staros has seen the process through as publisher, and we'll all reap the benefits as readers.

    Be sure to pick this one up -- Top Shelf has taken an enormous gamble themselves with this state-of-the-art package and project, and they deserve your support!

    * The one and only comics-teaching whirlwind Marek Bennett is zipping into nearby Brattleboro, VT on Monday night for a one-stop comics workshop! Here's the scoop:

    Free Workshop -- Comics: The Basics

    A free two-hour workshop on creating comic strip action and dialogue will be facilitated by Marek Bennett on Monday, July 10 beginning at 7p.m. at The Commons office, 139 Main Street, 2nd floor, Brattleboro. Marek runs "Comics Camps" and workshops that are geared to be fun, participatory and experimental. No prior drawing experience is necessary. Materials will be provided. Participants are encouraged to bring their imaginations! For ages 8-88. No reservations necessary.

    The workshop is part of an ongoing series sponsored by the Media Mentoring Project, which seeks to assist area residents in improving their journalism and media literacy skills. No previous participation is required. The Media Mentoring Project is a program of the non-profit Vermont Independent Media, Inc. Carpooling and childcare arrangements can be made by calling in advance. To arrange a workshop in your town or neighborhood or for further information please contact (802) 348-7701 or email Marek at marek@sover.net, or bip over to his website
  • here!


  • * My old Johnson State College pal Dave Booz has turned up some Bissette arcana: I used to draw color movie posters for the 16mm movies I booked for theatrical showing at JSC, and Dave has turned up a few of them! As soon as the color copies Dave shot arrive in the mail, I'll do my best to scan and doctor 'em for posting here -- blasts from the past, indeed, circa 1974-76, just before my first published comic work (in our self-published one-shot Abyss, which Dave is in, too, along with our compadres Mark "Sparky" Whitcomb, Jack Venooker, Steve Perry, and others). More archival eye-candy to come...
    _____

    Have a great weekend!
    _____

    Ragmop quote of for the weekend (fifth in the series):

    "Do not burden me with your pathetic concepts of time and space, you who have reduced time to the period in which a pizza can be delivered hot or you don't pay."

    [- Fallen angel seeking Kakabel, to two hapless astronomers]

    Friday, July 07, 2006



    [Beloved original art gift to moi from Mark Martin for my 50th birthday, capturing my implacable sense of political passivity amid the turmoil and clutter of my terrifyingly massive collection. Artwork (c) 2005 Mark Martin]
    ______

    My innovative proposed solution (see my July 5th posting) to the rapidly-escalating North Korean missile crisis has been picked up on the blogosphere!
  • Phil Baruth's Vermont Daily Briefing
  • snapped it up in short order.

    This could work, if only the powers-that-be would wake up and think outside the envelope and pay attention to our pitiful blogs long enough to save the world! What are they waiting for? Ken Lay to die?
    ______

    Ragmop quote of the day (fourth in a series):

    "That just leaves us with the problem of getting into Heaven without having to die."

    Thursday, July 06, 2006

    Happy Birthday to Bush

    Happy Birthday to you,
    Happy Birthday to you,
    Happy Birthday, Dear George,
    Happy Birthday to you.

    Yep, the Prez is 60 today. Send him a bag of pretzels.
    _____

    Folks -- even those who should know better -- tend to think only of the pastoral elements when considering films made in Vermont. Covered bridges, autumn leaves, bucolic pastures and picturesque farms... sure, that's part of it, but the films actually emerging from the filmmakers who live here are often surprisingly powerful works, and hardly keyed to appeal to the tourists.

    I haven't written much here about my constant VT film book research and writings, but I'll note that Vermonter Michael Burke's remarkable shot-in-VT feature The Mudge Boy quietly surfaced on DVD after years in limbo, and is well worth a screening -- but be ready, this is an uncompromising snapshot of rural life and the plight of a lad who isn't like the other kids, with a corker of an ending.



    [A boy and his chicken: Emile Hirsch in The Mudge Boy]

    Because he's in the film and had never seen it, I sent a copy of the DVD to my good friend George Woodard (who's currently editing and in post-production on his own debut feature, The Summer of Walter Hacks). He called me on Sunday, supremely disturbed by Mudge Boy.

    That's a recommendation, and a warning.

    BTW, Michael Burke's short film Fishbelly White, the potent catalyst for The Mudge Boy (Burke's work here resulted in his participation with the Sundance Institute to expand his 23-minute short into the feature script and film), is coincidentally also now on DVD -- released within a couple of weeks of Mudge Boy! -- in the gay Boys Life 5 from Strand Releasing. Unless you have an aversion to gay themes, this is highly recommended, too, and provides a unique chance to screen both short and feature back-to-back (though I recommend watching The Mudge Boy first, so you don't spoil the final act for yourself).



    The titular role in Mudge Boy showcases an early (his first?) lead for Hirsch, who has been impressive in plenty of films since (The Emperor's Club, Lords of Dogtown, etc.). The "boy and his chicken" role may conjure fond memories of Squeezit Henderson in Forbidden Zone, a film light years away from this sobering drama, and one can only breathe a sigh of relief that Hirsch completed his part before the avian flu re-emerged in recent years (one of the earliest bird-to-human contraction points for the avian flu mutation was via Asian cockfighters, who sometimes clear the mucous-clogged nasal passage of their prize birds during fights by sticking the rooster's head in their mouths and sucking 'em clean -- oops, sorry, did you already have breakfast?). And that's all I'm gonna say about that.

    Anyhoot, check it out, but don't be looking for light entertainment when you pop the disc into your player.
    _____

    Need to hack away at website-under-construction duties today, so short post here today. Besides, I posted a whopper yesterday, and concluded Marge's and my epic balloon saga.

    Speaking of which -- the website, that is -- we launch soon! Missed my planned June liftoff for www.srbissette.com, but we're getting closer. However skeletal, it'll be open for your perusal around July 15th. (It has to be: my computer guru Jane Wilde is off for China until mid-August!)

    More info closer to then...
    _____

    Months ago, I posted about the old Hamilton's Invaders "big bug" toys of the early '60s, and my unending search for the Grand Wazoo of invaders himself, Hamilton. This was just posted as a comment onto that long-ago blog entry, so I figured I'd share it up here, 'cuz, like, who scours the old comment sections of ancient posts?

    Take it away, Sherman:

    "Great story. My mom bought me the delux Horrible Hamilton playset at Jefferson Store in North Miami Beach, FL in the early 1960s. Guess I was spoiled and threw one of my "I want Horrible Hamilton! I want Horrible Hamilton!". Anyhow, my mom spanked me, I cried some more, she felt guilty, and presto, she bought it for me! Helps to be an only child. Guess what, I still have Horrible Hamilton in mint conditon (he still works and scares the heck out of my mom's cat). Got all the other bugs too. However, the blue soldiers, the helicopter and tank and the box are long gone. Had the helmet too, but gave it away years ago. Great to remember the good old days, they seem alot better." [Posted by sherman to MYRANT at 7/05/2006 04:46:25 PM]

    BTW, I'm still seeking a Hamilton for my collection, folks.
    _____

    Today's Ragmop quote of the day, third in the series, spilling from the lips of Piltdown Man at the Pearly Gates:

    "Say... is that a spear through your chest, or are you just happy to see me?"

    Wednesday, July 05, 2006

    You Remember Yesterday, When Marge and Steve Were Aloft in a Balloon...



    You may recall that Marge and I were up in a hot-air balloon over Quechee VT, looking down on the fairgrounds below...

    Hey, sure you do!

    We'll be right to that...
    __________

    But first -- before I conclude that exciting adventure -- I have got to post my suggestion for how President George Bush and Condi Rice can pull our bully-boy fat out of the fire with the harrowing North Korean missile-firing debacle so fresh in all our minds!

    OK, so the missile with Alaska's name on it only lasted 40 seconds before spiking into the Sea of Japan. Unless it hits Godzilla and reawakens him, this current shitstorm may be temporarily abated, but let's face it:

    George Dubya and Condi really haven't handled this situation well at all. With typically abysmal and worst-than-maladroit lack of any diplomacy skills, they've steadfastly refused to treat North Korea or its fearless leader Kim Jong-il as anything but a radioactive bag of dung. No wonder Kim is pissed off, ignoring us, and firing nuclear test missiles off at whim.

    Seriously, though, I know how our President and his lovely, talented gap-toothed sidekick can rectify and probably even turn around this situation. Listen up, please! I implore you!

    It's well known that President Bush displayed a rare fit of empathic diplomacy last week by gracing Graceland with the presence of his never-humble self and visiting Japanese dignitary and prime minister Junichiro Koizumi.

    Being a rabid Elvis lover, Prime Minister Koizumi was all shook up with joy, slipping on Elvis's supersized tinted gold-rimmed glasses and crooning tunes like "Love Me Tender" and a pack of others before Priscilla Presley belted out, "We need a karaoke machine!"

    It was a rare instance of good-ol'-boy diplomacy actually working, a triumph of personal outreach from frat-boy George and his "our way or the highway" circle of plutocrats.

    Now, work with me, George, and listen up good.

    You done good.

    You done real good.

    Now it's time to apply that same slicker-than-snot-on-a-doorknob American charm to the North Korean situation.

    I don't care if you don't like Kim Jong-il, or if he was the villain in Team America.

    You gotta get down with Kim the same way you did with Prime Minister Koizumi, and you gotta lay into this using the same kinda folksy pop culture common ground -- but you can't just go back to Graceland. You've got to tap into something that matters to Kim.

    It's well known that Kim Jong-il absolutely loooooooooooves movies.

    Hell, in 1978 Kim loved South Korean director Shin Sang-ok's movies so dang much that he up and kidnapped Shin and Shin's wife (herself a big star in South Korean cinema) and made Shin make movies just for Kim! (They finally escaped in 1986, BTW, but that's another story.)

    That's a powerful love, Dubya, and the grounds for innovative diplomacy.

    Now, I'm not suggesting you kidnap Hollywood directors and deport 'em to North Korea, or start White House screenings of Shin's made-for-Kim Godzilla knockoff Pulgasari, though that might not be a bad flourish to my brilliant plan for world peace and unprecedented harmony with North Korea for the first time since Former President Clinton left office and you and your cronies started callin' Kim names and treating him like toxic waste (mind you, axis-of-evil toxic waste at that).

    No, I'm suggesting you follow up on the completely successful visit to Graceland by inviting Kim Jong-il to take a pause amid all the hostilities and make a visit to a sacred site in his love for all things cinematic:

    Camp Crystal Lake.

    George W., you should accompany Kim Jong-il on a no-holds-barred tour of the honest-to-Christ real-life Camp Crystal Lake -- that's right, the home of Jason Voorhees and his mom -- down in Blairstown, New Jersey.

    See, that's where they filmed the first Friday the 13th.

    I shit you not, George -- I mean, President Bush -- Kim would fucking crap himself with joy, and a whole new era of international diplomacy would begin.

    See, Kim fucking looooooooooooooves movies, and he reportedly loooooooooooooooooooooooves the Friday the 13th movies more than anything.

    So ya see, Camp No-Be-Bo-Sco and the locations around Blairstown would be like Gorehound Graceland to ol' Kim, I shit you not. He'd fucking love it.

    Hell, you're the most powerful man in the whole country, if not the world: you could arrange for a campfire sing-a-long, a cast reunion, maybe even a on-set recreation of the arrow-through-the-neck death of Kevin Bacon, with honest-to-God Kevin Bacon himself in that bunk, spitting up fake blood, and with Tom Savini under the bunk pumping the gore --

    -- ah, shit, George, the only missile you'd have to worry about then from Kim would be the one poppin' in his trousers!

    Really, President Bush, think about it.

    Your numbers are in the toilet, you've shot your wad so badly with Iraq that you can't threaten Kim with jackshit and you know it.

    You've got to reach out to the crazy l'il feller, and heck, what's a trip to Blairstown gonna cost? Other than a phone call to the Gov to make sure the power is turned on at Camp No-Be-Bo-Sco long enough to entertain your visiting North Korean despo -- uh, dignitary?

    C'mon, George, you know this could work.

    Please, give it some thought.

    Pull your head out of Dick Cheney's ass long enough to even consider the implications. C'mon, Karl, you know you can't just keep pushing the fear button to maintain control of the masses -- time to really push the envelope and think outside of the box and take the bull by the horns!

    Take Kim to Camp Crystal Lake.

    Let him shoot arrows into Bing Crosby's son, slit some throats, lop Betsy Palmer's head off with a shovel, sing around the campfire and toast some dogs and marshmallows, whisper "sskkkhhh, sskkkkhhhh, kill, kill" with all you good ol' Connecticut-born Texan dictator-types.

    You could really bond over this, and save the world a lot of trouble.

    I ain't kidding, neither.
    _____

    And now, back to our regularly scheduled program.
    _____

    How It Was The Giant Bees Didn't Get Us; Or, The Green Slime Slavers Five Weeks in a Balloon; Or, This May Be Jules Verne, But How Did I Miss Being in a Ray Harryhausen Movie and End Up in an Irwin Allen Fiasco?, Part the Third (and Concluding)

    You may recall that Marge and I were up in a hot-air balloon over Quechee VT, looking down on the scurrying ant-like mortals below...



    ...before our steadfast pilot Gary steered us ever-so-gracefully over the famous Quechee Gorge, stealthfully settling us nearer, nearer, nearer to the roaring white water below -- !!!!



    Well, shit, then he boosted the gas jets, gave that multi-colored bulb of fabric a fresh blast of hot air, and up we went, away from the certain death awaiting us in the gorge and on up over the neighboring hills. As the twilight breezes carried us along, Gary quietly began scouting out a possible touchdown site. After all, sundown was upon us and night would soon settle -- by which time, we had to be on the ground and packing up, preferably in a location the chase truck could drive to!

    As we drifted up and over a ridge, narrowly skirting the wind-waving tree limbs just below, I spotted a narrow clearing between two patches of wilderness. What caught my eye was a deer -- a doe, standing in the clearing. I pointed it out to Gary, and he patted my shoulder. "Good eye!" he said, "and not a bad spot to set down, if we can make it."

    As luck and the winds would have it, we indeed made it. With uncanny skill, Gary nestled us in the very clearing the doe had been standing in mere minutes earlier. It turned out to be the furthest finger of a cleared pasture area extending from a farm, just south of White River Junction...



    During the final descent, Gary announced that he was going to tap two of us on the shoulder just as we touched the ground. "I want you two to jump out of the basket," he said, "and you're going to tow us up over the ridge to that farm."

    A minute or two later, just before our basket load of passengers kissed the grass ever so gently, Gary patted a strapping red-haired teenage fellow on the other side of the basket on the shoulder -- and then I felt Gary's meaty paw on my shoulder, too. Without hesitation, I jumped out of the basket and found the handholds on the side of the basket.



    Hey, look, we're home free!

    To make a long, sweaty, red-faced, "Oh Christ my pants are falling down" story short, the red-haired lad and I towed that motherfucking balloon almost half-a-mile over the crest of the field, wallowing through a stretch of green-tinged mud alongside a woodfall, all the way to the farmhouse yard. Gary artfully kept the basket and balloon just barely aloft and off the ground, tactfully firing up the gas ever so lightly as necessary, and we towed like slaveship rowers over and across the saturated stretch of uncut grass.

    At one point, our sneakers began to slip and slide a bit as we arrived at a run of thick, bright-green slime. With the record-setting rains of May and June, the field was still wet, the ground soaked and spongy every step of the way. But this -- this green slime was something new. "What is this?" my fellow balloon-towing-mule said, drawing little comfort from my response: "It's algae, man, algae -- growing on the mud!" The water flow from the upper cut of the pasture by the treeline had been so steady during the rainy weeks that algae was growing, two inches thick, in ropey snot-like clots the length of the field! With our already-muddy sneakers sinking up to our ankles in this mucous-like growth, we managed to drag the balloon, basket, and fellow passengers up and over and on the rest of the quarter-mile to the farmhouse yard.

    No one was there -- we made our haul, Gary touched us down and ordered everyone out of the basket, and he and his crew (who found us after some hit-and-miss driving via radio and cell phone contact) deflated the balloon, stretched and then folded the whole shebang up (with help from all of us at one point or another, as needed), and we made our way back to the Queechee fairground shortly after dark. It was a fun ride -- but man, was I sore the next day or two! Marge was happy and in heaven, though, so it was all worth it, right to the arduous haul-over-the-hill.



    We arrived as the ceremonial "Balloon Glow" lighting of balloons was winding down -- we'd missed all but the last few minutes, but it was tres cool. The lights were flashing inside the balloons, casting eerie, eye-popping glows and bizarre nighttime shadows over one and all. One of the balloons was an outsized beagle, and Marge tried like hell to get a shot of it when lit from within, but she was about out of film and the lightshow was rapid-fire and waiting for no man, woman, or camera shutter.

    It was an evening to remember, and we hope to do it again someday. Stay high, one and all!

    [All photos copyright 2006 Marjory Bissette; please ask her permission for further use or go fly a kite.]
    __________

    Slapping the Meat Loaf Till The Cows Come Home; Or, More Savory Links:

    * My Canadian amigo and cartoonist extraordinaire Rob Walton is bringing his beloved (but too rarely read or appreciated) mid-1990s cult comic classic Ragmop to its too-long-delayed conclusion, and the completely revised, expanded and utterly definitive Ragmop graphic novel will be out before too long, sporting a loving introduction by yours truly. Some of you may remember my singing the praises of this hilarious satiric milestone in the pages of Tyrant, and I'll most definitely be getting into the particulars here in the coming weeks (including, with Rob's permission, posting some never-before-seen savage Walton cartoons here).

    In the meantime, though, it behooves you all to pop right over to
  • The Slacker Asteroid,
  • where Rob has carved out a brand-new blog crater for himself. See you there!

    This, then, explains somewhat the ongoing Ragmop quote of the day series, below. And that's all you get from me on that for now.

    * I'm also scrambling to wrap up an intro for a planned reprint collection of my amigos Steve Perry & Tom Yeates's long-out-of-print Epic series Time Spirits. It's a grand and glorious fantasy-adventure comic that never really got its due in its day, but this intro has been a bear -- primarily because I know the two creators too well, and had to be careful what I'm committing to print under their stewartship. Gulp -- it'll be done soon, and hopefully you'll be savoring a handsome one-stop collection of Cusack & Doot's one-of-a-kind saga before 2007 is even a dim light on the far horizon. More info and news as I have it!

    * There's music and magic aplenty compliments of Leslie Combemale, Michael Barry & Douglas E. Winter at the new
  • Ritual Echo Site
  • -- where you'll find demo versions of three original songs ("Abandon" -- no relation to the Katie Holmes flick! -- "Sleep Thief" and "Home" -- no relation to the classic X-Files episode!) -- with more music coming soon -- along with transcipts of Leslie's lyrics and their blog, The Echo Chamber. If you're a frequenter of myspace.com, you can also view Doug, Michael & Leslie's photo gallery, leave comments, and add 'em as myspace "friends" (but not, you know, "special" friends). Doug and Michael are beloved friends of mine I've long missed seeing; this kind of virtual-space visitation doesn't approach the good ol' days of truly hanging out, but hey, I'll take what I can get, and you'll have to make do, too.

    * Remember I mentioned that an H.P. Lovecraft festival event is being planned for a fall unveiling in nearby Brattleboro, VT? Well, it's coming together -- slowly but surely -- as the return of the Old Ones nears, click on over to
  • the Coming Darkness...
  • ... and check in often, as the site is just under construction... more soon!
    ___

    Ragmop quote of the day (second of a July series):

    "Thank God there are still some Nazis you can TRUST!"

    Tuesday, July 04, 2006

    HAPPY FOURTH OF JULY!

    Now, back to our regularly scheduled photo adventure:

    Where's the Volcano?; Or: Here There Not Be Monsters, And Gorging Upon What We Truly Saw From On High, Part the Second



    We were aloft by 6:30 PM or so, drifting up and over the Quechee fairgrounds and nearby river, looking down on the village. Below us, folks were savoring the spectacle from their lawns, yards, decks and porches, looking up at us, and we conversed with a few during our lower altitude drift over Quechee. Gary knew many of them, and they knew him, lending a surreal 'down home' ease to the entire experience.

    Vehicles threaded back and forth on Route 4, below, but the most beguiling sights were natural -- the river, the trees, the pastures and gores.



    While much of the fun we had that evening isn't recorded in Marge's photos -- tracking our progress against those of the balloons airborne before us, looking back at the final balloon to leave the ground (Gary's brother's), charting our drift by the landmarks of Quechee village -- these photos should still give you a sense of our little jaunt between Quechee and White River Junction.



    Of course, it was the view-from-on-high of the Quechee Gorge itself that was most eagerly anticipated by most of us aboard Gary's airship, and he didn't disappoint. Though one doesn't have any control really over where the winds will take the balloon, Gary unerringly rode the currents until we were just over the overpass, where tourists stop on Route 4 to gaze down into the rushing waters far beneath. Gary caught a perfect breeze and carried us right over the Gorge's narrowest channel, gently letting us drop closer, closer...

    Tomorrow: How It Was The Giant Bees Didn't Get Us; Or, The Green Slime Slavers Five Weeks in a Balloon; Or, This May Be Jules Verne, But How Did I Miss Being in a Ray Harryhausen Movie and End Up in an Irwin Allen Fiasco?

    [All photos copyright 2006 Marjory Bissette, don't fuck with 'em.]
    __________

    More entertaining and highly informative comics-related links for your celebratory day of independence:

    * John Rovnak, mighty mogul of online comics retailing, just posted my latest review, being that dissecting
  • Rick Veitch's upcoming Abraxas and the Earthman graphic novel,
  • which was actually his first solo graphic novel work (harking from 1981-83). Check it out, and while you're there, check out
  • all the reviews at PaneltoPanel.net,
  • which John and I will be adding to over the next two weeks -- so bookmark that link page!
  • PaneltoPanel.net
  • is a great new resource for online comics purchasing, and I highly recommend John's service.

    * As I mentioned on this very blog last week, I was one of six instructors of the first 2006 Summer Create Comics Workshops. Fellow instructor (and Eternally Vigilant & Caring Anchor of All CCS Reality) Robyn Chapman shot some primo pix of the week's labors and posted them
  • here in all their glory.
  • Check 'em out, and kudos to Adam & Peter for their intern assist and attentive participation throughout the week (that's Year One CCS Alumni
  • Adam Staffaroni
  • in one of the pix, giving an inking demonstration to the summer workshop students, working on the strip art you can see yourself by clicking on his name in this parenthetical comment), and to all the students who attended and gave their all -- what a great, focused and creative group! Take a bow, Emery Ames, Andrew Becker, Cal Benedict, Harlan Butt, Erik Denkinger, Gaetan DeSimone, Laura Garcia, Keith Hunter, Meara Kinne, Jim Medway, Javon Miller, Mike Pero, Simon Reinhardt, Liberty Roach, Maggie Siegel-Berele, Hilary Spitzer, Pete Wallis, Tyler Ward and Adam Whittier! You were fantastic, and it was great fun to work with you and get you know you, however brief our fleeting time together. These dynamos completed many drawings, character designs, dummy tabloid newspaper covers, comics pages & stories, and (under the guidance of Robyn, Aaron Renier and Alec Longstreth) two complete published 8 1/2" x 11" comics, The Continuous Quest of Elliot, Sylvia & Como (The Dog) and The Life & Times of Inky Solomon (featuring the sage cartoonist and imaginary founder of CCS, created by none other than Seth in connection with James Sturm and the CCS) -- and all in a mere five days.

    * For an amazing video tour of the CCS student residence most likely to be the first-year abode of many CCS freshmen and temporary dwelling of visitors and staff, check out
  • Radical Warren's Hotel Coolidge Walkthrough!
  • As you do so, bear in mind this is most likely where D.W. Griffith, Lillian Gish, Richard Barthelmess and the cast and crew of the silent classic Way Down East stayed waaaaay back in March of 1920, before it was called the Hotel Coolidge (Calvin Coolidge was President just then, natch, and hence no landmarks were as yet named after him). None of them died there, so their ghosts do not wander the halls... but maybe others do? Enjoy the tour!

    And if that doesn't brighten your day, I don't know what will, other than the inevitable fireworks. In the words of that forever unknown but often-read Asian wit, "Light And Run Away!"

    Have a great 4th, one and all!
    ____

    Ragmop quote of the day (the first of a July series):

    "Woman is smart, Dinosaurs is smarter."

    Monday, July 03, 2006

    What, No Mysterious Island?; Or, How Marge's Childhood Dream Came True