Weekend Update and Early Morning Atrocity…

Why Marj and I live on a Mountain: Saturday my amigo Mike Dobbs and I headed to Worcester MA for the Rock & Shock Show, a neat little horror and rock con where we got to meet and briefly talk to George Romero and Adrienne Barbeau, among others, and catch up with old cronies like Chris Golden, Dallas Mayer (aka Jack Ketchum), and Stan Wiater while picking up a few goodies (old pressbooks, a couple zines, and a hefty new dose of DVDs). The trip to and from Worcester was made amid the heaviest and steadiest downpour we’ve had since early summer; the night drive home was one of those delirious bouts of interminable hammering of rain and decreasing visibility where one is mucho thankful for the white lines on the tarmac all the way home. The short ten mile stretch on VT route 9 from the Interstate 91 exit to my door was the liveliest driving, with two foot-deep currents of water tearing across the road and a fair flash-run coming down 9 on the first climb. Still, easy drive, all in all, considering 8-to-10 inches of rain was falling.

Marj and I woke up to the news that down Guilford way was partially washed-out and nearby New Hampshire had suffered bigtime. Hinsdale, Keene, Unity and Alstead were hammered, washing out roadways and homes; at least three are dead (one in Unity, NH, and a father-and-son in Hoosick, NY, just the other side of the western VT border). Marj spent much of yesterday on the phone sorting out what she could of the damage done to the NH school district she works in (including devastated Alstead) and is into her second day off due to bridge and road washouts making the schools inaccessible.

Having spent a good chunk of 2004 researching and writing about the VT flood of 1927 (a detailed article on the surviving flood films, soon to be published in Green Mountain Cinema), the conditions were familiar: too much rain, saturated ground, nowhere for the water to go… in ’27, the rains hit a little later (early November) when the ground was partially-frozen and saturated, resulting in the greatest natural disaster to hit my home state. There were subsequent floods (in 1936 and ’38, both hurricane-related), but none as destructive as the 1927 flood. With those ancient images re-screening in my head, we’ve been scouring the newspapers and listening to local public radio, piecing together what we can of the storm’s impact on our neighbors. Living as we do on a mountain, we’re fine, but this may be a sign of a powerful winter to come… further climate extremes are inevitable, though as a country and culture we do nothing but fiddle, fiddle, fiddle.

Hey, I’m no better: I was off to a horror con while the rains came.

Early Morning Atrocity — One of the facts of country living this time of year is that as the nights grow progressively cooler and the weather more extreme (rain, cold, etc.), the little critters who live outside head indoors. Since they don’t pay rent and happily shit everywhere they and we eat, the hard fact of this time of year is that the mousetraps come out.

(No, our cat Sugar isn’t a mouser — never was; her sister Shadow and bro’ PT were, but both Shadow and PT passed away last year at ripe old ages, leaving Sugar as the queen of the household who doesn’t “do” mice — Marj may be fretting over Martians depleting the cat population, but Sugar doesn’t lift a paw to deplete the mouse population around here!)

When “Have-a-Hearts” fail (when they work, I release the little rodents deep in the woods miles from my home), it’s time for the spine-snappers baited with peanut butter. We’re already at the spine-snapper stage, as the “Have-a-Hearts” have only fed the little buggers with nary a capture.

This morn, as every morn this past week, I began by checking the traps. Ah, we got one — but — he was still alive. Though his back end was quite useless, his front end, shiny bright eyes and all, seemed confused but in no pain: he was cleaning his paws when I found him. He merely sniffed the air and seemed curious when I picked him up.

Ah, shit.

Well, out to the driveway and the cement block — it was quick, I promise you.

Oh, ah, sorry.

Hope you already had your breakfast before you read this.

I hadn’t.

If Sugar was holding up her end of the chores, I wouldn’t be having to do this sort of wetwork.

Scanning, scanning, scanning… I’m finishing up prep for today’s CCS class as I write this. Lost a lot of time this weekend on planned CCS prep while working with my stepson Mike Bleier on the soon-to-be computer office/library, which would have been done last November if our contractor hadn’t stiffed us. So, I became a contractor-by-proxy once it became apparent by April that the fellow we’d contracted to do the job had skipped out on us; it’s been a long haul, but the floor was poured in June. Since then, with my own occasional efforts and the considerable ongoing help of Mike and his friend Chad, early back-breaking efforts by my son Dan and his pal Andy, and a trio of pros (masons and Bob Anderson and his crew) when specialists were needed, we’ve managed to re-excavate, seal, tar, properly insulate and parge the outside of the foundation/room, repair the yard, get the interior framed, window in place, etc. Now we have a 8-inch thick 3 foot x 2 foot chunk of (now interior) concrete wall to (ahem) “remove” — Mike and I drilled (30 holes), jackhammered, and sledgehammered late in the day Sunday, and managed to knock off about one small potato-chip bag worth of cement. Well, OK, we got a bit more off than that, and kicked up a fair amount of dust, but the wall stands. Sigh — time to rent heavier equipment or call in a pro.

One way or another, the room will be done and shelving up by Thanksgiving; I badly need it, as my existing office/studio space is hopelessly crammed with my library on shelves, tables, and in stacks.

In the meantime, I pile through the stacks weekly and then prep for CCS class sessions on our kitchen counter, scanning, scanning, scanning… today’s session, having covered pre-WW2 comic strips and the like: crash course on the pre-US-comicbook UK comics (half-penny weeklies, etc.); archetypes carried from the dime novels and pulps to comics; review of the birth of US comics books; Superman and Batman origins; and previews of the comicbook-derived movie serials. Lots of eye-candy this session, thanks to the scanner and my extensive collection and library.


Weekend Update and Early Morning Atrocity…

Why Marj and I live on a Mountain: Saturday my amigo Mike Dobbs and I headed to Worcester MA for the Rock & Shock Show, a neat little horror and rock con where we got to meet and briefly talk to George Romero and Adrienne Barbeau, among others, and catch up with old cronies like Chris Golden, Dallas Mayer (aka Jack Ketchum), and Stan Wiater while picking up a few goodies (old pressbooks, a couple zines, and a hefty new dose of DVDs). The trip to and from Worcester was made amid the heaviest and steadiest downpour we’ve had since early summer; the night drive home was one of those delirious bouts of interminable hammering of rain and decreasing visibility where one is mucho thankful for the white lines on the tarmac all the way home. The short ten mile stretch on VT route 9 from the Interstate 91 exit to my door was the liveliest driving, with two foot-deep currents of water tearing across the road and a fair flash-run coming down 9 on the first climb. Still, easy drive, all in all, considering 8-to-10 inches of rain was falling.

Marj and I woke up to the news that down Guilford way was partially washed-out and nearby New Hampshire had suffered bigtime. Hinsdale, Keene, Unity and Alstead were hammered, washing out roadways and homes; at least three are dead (one in Unity, NH, and a father-and-son in Hoosick, NY, just the other side of the western VT border). Marj spent much of yesterday on the phone sorting out what she could of the damage done to the NH school district she works in (including devastated Alstead) and is into her second day off due to bridge and road washouts making the schools inaccessible.

Having spent a good chunk of 2004 researching and writing about the VT flood of 1927 (a detailed article on the surviving flood films, soon to be published in Green Mountain Cinema), the conditions were familiar: too much rain, saturated ground, nowhere for the water to go… in ’27, the rains hit a little later (early November) when the ground was partially-frozen and saturated, resulting in the greatest natural disaster to hit my home state. There were subsequent floods (in 1936 and ’38, both hurricane-related), but none as destructive as the 1927 flood. With those ancient images re-screening in my head, we’ve been scouring the newspapers and listening to local public radio, piecing together what we can of the storm’s impact on our neighbors. Living as we do on a mountain, we’re fine, but this may be a sign of a powerful winter to come… further climate extremes are inevitable, though as a country and culture we do nothing but fiddle, fiddle, fiddle.

Hey, I’m no better: I was off to a horror con while the rains came.

Early Morning Atrocity — One of the facts of country living this time of year is that as the nights grow progressively cooler and the weather more extreme (rain, cold, etc.), the little critters who live outside head indoors. Since they don’t pay rent and happily shit everywhere they and we eat, the hard fact of this time of year is that the mousetraps come out.

(No, our cat Sugar isn’t a mouser — never was; her sister Shadow and bro’ PT were, but both Shadow and PT passed away last year at ripe old ages, leaving Sugar as the queen of the household who doesn’t “do” mice — Marj may be fretting over Martians depleting the cat population, but Sugar doesn’t lift a paw to deplete the mouse population around here!)

When “Have-a-Hearts” fail (when they work, I release the little rodents deep in the woods miles from my home), it’s time for the spine-snappers baited with peanut butter. We’re already at the spine-snapper stage, as the “Have-a-Hearts” have only fed the little buggers with nary a capture.

This morn, as every morn this past week, I began by checking the traps. Ah, we got one — but — he was still alive. Though his back end was quite useless, his front end, shiny bright eyes and all, seemed confused but in no pain: he was cleaning his paws when I found him. He merely sniffed the air and seemed curious when I picked him up.

Ah, shit.

Well, out to the driveway and the cement block — it was quick, I promise you.

Oh, ah, sorry.

Hope you already had your breakfast before you read this.

I hadn’t.

If Sugar was holding up her end of the chores, I wouldn’t be having to do this sort of wetwork.

Scanning, scanning, scanning… I’m finishing up prep for today’s CCS class as I write this. Lost a lot of time this weekend on planned CCS prep while working with my stepson Mike Bleier on the soon-to-be computer office/library, which would have been done last November if our contractor hadn’t stiffed us. So, I became a contractor-by-proxy once it became apparent by April that the fellow we’d contracted to do the job had skipped out on us; it’s been a long haul, but the floor was poured in June. Since then, with my own occasional efforts and the considerable ongoing help of Mike and his friend Chad, early back-breaking efforts by my son Dan and his pal Andy, and a trio of pros (masons and Bob Anderson and his crew) when specialists were needed, we’ve managed to re-excavate, seal, tar, properly insulate and parge the outside of the foundation/room, repair the yard, get the interior framed, window in place, etc. Now we have a 8-inch thick 3 foot x 2 foot chunk of (now interior) concrete wall to (ahem) “remove” — Mike and I drilled (30 holes), jackhammered, and sledgehammered late in the day Sunday, and managed to knock off about one small potato-chip bag worth of cement. Well, OK, we got a bit more off than that, and kicked up a fair amount of dust, but the wall stands. Sigh — time to rent heavier equipment or call in a pro.

One way or another, the room will be done and shelving up by Thanksgiving; I badly need it, as my existing office/studio space is hopelessly crammed with my library on shelves, tables, and in stacks.

In the meantime, I pile through the stacks weekly and then prep for CCS class sessions on our kitchen counter, scanning, scanning, scanning… today’s session, having covered pre-WW2 comic strips and the like: crash course on the pre-US-comicbook UK comics (half-penny weeklies, etc.); archetypes carried from the dime novels and pulps to comics; review of the birth of US comics books; Superman and Batman origins; and previews of the comicbook-derived movie serials. Lots of eye-candy this session, thanks to the scanner and my extensive collection and library.


Bedtime Ballyhoo-hah

I love bad titles — bad book titles, bad movie titles, bad song titles.

Horror film lovers harbor a warm, wet spot for classics like The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombie, though Bill & Coo, Santa Claus Conquers the Martians, They Saved Hitler’s Brain and Rat Phink A Boo-Boo hold high honors (that’s the second Ray Dennis Steckler title I’m pitching this morn, mind you!). The sheer bravado of, say, The Beast With a Million Eyes deserves a salute, along with similar monikers promising unabashed, undeliverable hokum.

From Sinderella & the Golden Bra to Stop! My Ass is on Fire 11, the adult film industry has cultivated countless croppers, and there are almost as many head-slap-worthy giallo titles I feel compelled to double-check before typing ‘em here for your amusement (though I have committed Sergio Martino’s Your Vice Is a Closed Room and Only I Have the Key to memory, and What Are Those Strange Drops of Blood Doing On Jennifer’s Body? also comes immediately to mind).

This weekend brought beloved bad titles to mind when a nearby NH newspaper reported the self-publication of a new sf novel by a retired Lebanon, NH janitor named Phil LeMay. Phil’s latest opus is Space King I and II in Outer Space, Book II, which the paper explains is “a sequel to Space King I and II in Outer Space.” Ah, good one!

Someday I’m going to use a pair of titles my old jazz-musician pal James Harvey dished out (in succinct contempt for the 1950s monster movies I love), The Bag That Ate Everything and The Box That Ate Everything the Bag Ate.

Anyhoot, Marj capped this weekend revery in the wee hours. My wife Marj isn’t often hilarious in the early hours of the morn, but she made an exception this morning when I asked if she’d set aside a little over an hour to watch today’s Fox Movie Channel LBX broadcast of The Day Mars Invaded Earth with me (a movie I sort-of saw as an eight-year-old at a Burlington area drive-in when it was inexplicably double-billed with Disney’s Miracle of the White Stallions).

She felt the need to comfort our cat Sugar by promising Sugar we wouldn’t be watching (ahem) The Day Mars Raided the Cat Population.

Clink.


Bedtime Ballyhoo-hah

I love bad titles — bad book titles, bad movie titles, bad song titles.

Horror film lovers harbor a warm, wet spot for classics like The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombie, though Bill & Coo, Santa Claus Conquers the Martians, They Saved Hitler’s Brain and Rat Phink A Boo-Boo hold high honors (that’s the second Ray Dennis Steckler title I’m pitching this morn, mind you!). The sheer bravado of, say, The Beast With a Million Eyes deserves a salute, along with similar monikers promising unabashed, undeliverable hokum.

From Sinderella & the Golden Bra to Stop! My Ass is on Fire 11, the adult film industry has cultivated countless croppers, and there are almost as many head-slap-worthy giallo titles I feel compelled to double-check before typing ‘em here for your amusement (though I have committed Sergio Martino’s Your Vice Is a Closed Room and Only I Have the Key to memory, and What Are Those Strange Drops of Blood Doing On Jennifer’s Body? also comes immediately to mind).

This weekend brought beloved bad titles to mind when a nearby NH newspaper reported the self-publication of a new sf novel by a retired Lebanon, NH janitor named Phil LeMay. Phil’s latest opus is Space King I and II in Outer Space, Book II, which the paper explains is “a sequel to Space King I and II in Outer Space.” Ah, good one!

Someday I’m going to use a pair of titles my old jazz-musician pal James Harvey dished out (in succinct contempt for the 1950s monster movies I love), The Bag That Ate Everything and The Box That Ate Everything the Bag Ate.

Anyhoot, Marj capped this weekend revery in the wee hours. My wife Marj isn’t often hilarious in the early hours of the morn, but she made an exception this morning when I asked if she’d set aside a little over an hour to watch today’s Fox Movie Channel LBX broadcast of The Day Mars Invaded Earth with me (a movie I sort-of saw as an eight-year-old at a Burlington area drive-in when it was inexplicably double-billed with Disney’s Miracle of the White Stallions).

She felt the need to comfort our cat Sugar by promising Sugar we wouldn’t be watching (ahem) The Day Mars Raided the Cat Population.

Clink.


The Cat’s Meeeeeeeeoooow! More DVDs to Savor…

A little catch-up on current DVD delights you might have missed…

* I doubt many of you horror aficionados have missed this for any reason other than shortage of $, but The Val Lewton Horror Collection from Warner Bros. is an essential addition to any and all genre libraries, at last on DVD and (per my screening of two of the titles to date) looking exquisite. Producer Lewton and his collaborative creative partners were true cinematic alchemists, turning what should have been backlot shit into pure gold. Saddled with often absurd market-tested titles by parent studio RKO, Lewton and directors/editors/collaborators Jacques Tourneur, Robert Wise, Mark Robson and writer DeWitt Bodeen (among others) maximized poverty-row budgets and raised hackles by tapping WW2 audience imaginations in ways they’d not been tapped before: the power of shadows, suggestion, and a what can only be called the poetry of dread inform every film in this collection. The Cat People, I Walked With A Zombie, The Leopard Man, and the Boris Karloff trilogy of Isle of the Dead, Bedlam and The Body Snatcher live up to their legendary status, though the relatively unsung sui generis gems The 7th Victim, The Ghost Ship, and the heartbreaking, haunting The Curse of the Cat People are the standouts for me.

The latter in particular should put lie to the oft-repeated dogma that sequels are inherently inferior to their wellsprings: here, Lewton, Wise and Bodeen metamorphosed the studio-imposed sequel title into a vehicle for one of the most exquisite films about childhood ever made, punctuated with spectral visitations by Simone Simon as what might be either ‘an imaginary friend’ or a genuine spiritual familiar from the original film, and the genuine threat of adults who variously mistrust, misjudge, or harbor homicidal jealousy toward the little girl protagonist. It remains a startlingly engaging, moving experience, and is highly recommended, as is every title in this set. There’s also a bonus documentary, Steve Haberman‘s Shadows in the Dark: The Val Lewton Legacy, I’m looking forward to screening — but only after I’ve revisited all the Lewton marvels herein.

(One caveat for contemporary (particularly young) viewers: The Lewton films are cinematic gems, but Lewton was also a man of letters. The literary bent of his nature, and that of his creative partners in these films, manifests in the dialogue and literary allusions (as has been often mentioned, I Walked With A Zombie is indeed a variation on Jane Eyre). At times, this characteristic comes across as being somewhat arch or pretentious, particularly for neophyte audiences unaccustomed to this kind of writing. Hang with it, and take it too as a precursor to the flavor writers like Ray Bradbury and Neil Gaiman bring to their work: it doesn’t always ‘sing’ on the screen as it does on the page, but it is a stylistic conceit that informs some of the finest genre efforts from all generations. Don’t turn a deaf ear to the films for this reason: go with them, you’ll be surprised how rich the ride can be.)

A funny story my pal Joe Citro loves to tell: When Joe first made the trek out to the boonies of Marlboro, VT to visit my home (where I lived with my first wife Marlene, then known as Nancy, O’Connor, and our two children Maia and Danny), our chat at the kitchen table was interrupted by Maia and Danny tapping my leg. Looking up through their blonde bangs with earnest, shimmering eyes, Maia quietly said, “Daddy, can we watch Curse of the Cat People?”

Joe almost bust a fucking gut laughing; he could not believe his ears! (FYI, it was already among their favorite films, and is indeed a great little chiller for young and old.)

* Don’t pass up renting or purchasing the unrated edition of Lords of Dogtown, either, thinking it’s too mainstream or a bastardization of the rousing doc Dogtown and the Z-Boys. Director Catherine Hardwicke‘s followup to Thirteen was a terrific theatrical experience and it’s even better on DVD with its additional four minutes or so of unseen material and the extensive lineup of bonus features, including a commentary track with the original Z Boys, almost all of whom also enjoy cameos in this docudrama adaptation of their own life stories.

Lest you dis this as just a Hollywood knockup of Dogtown and the Z-Boys and thus inherently lackluster, it must be emphasized how beautifully Hardwicke and screenwriter, Z-boy, and original Dogtown director Stacy Peralta tell the story while maintaining uncanny fidelity to the Z-boy skateboarders (Peralta, Tony Alva, Jay Adams and Tony Hawk), their era, and their respective story arcs. All are given their due, speed bumps and all, with Elephant‘s soft-spoken John Robinson providing a quiet anchor as Peralta. The standout performance, though, is delivered by Emile Hirsch as Jay Adams, looking for all the world like Arch Hall Jr. in The Sadist but delivering a remarkable and heartfelt inhabitation of Jay Adams, who arguably survived the most extreme life changes. Hirsch has already proven himself as a young actor to watch, blending good looks and sharp intelligence with empathy, warmth, and a feral urgency in an already diverse spread of films, from the lead role in Michael Burke‘s harrowing backwoods coming-of-ager The Mudge Boy (not yet on DVD or video, and shot in Vermont) to playing a spoiled Senator’s son who is, for all intents and purposes, George W. Bush as a youth in the Kevin Kline vehicle The Emperor’s Club. From Jay‘s roots as the rawest and most reckless (and oddly creative) of all Z-Boys to his recognizing and refuting the exploitation awaiting them all and on to Jay’s seemingly dead-end skinhead destination, Hirsch brings Jay to life; watch for Jay himself in a cameo early on as a waiter who steps on the unruly Z-Boys.

But arguably best of all here is Heath Ledger as the California surf genius (and burnout) who recognized the potential of, sponsored and ‘made’ the Z-Boys — only to lose ‘em once they blossomed. Ledger loses himself in the role of the Z-Boys’s mentor, and delivers the kind of performance Academy Awards don’t ever recognize, but should. This character’s pitch-perfect narrative arc provides a parable for small-business entrepreneurs who bank on young talent only to see them snatched out-of-reach by bigger sharks once they fulfill their promise and are ready to fly. I’ve seen the same scenario play out in my own life time and time again in many industries and fields, just as I and my peers lived our own variations on the Z-Boys stories (in our respective path, comics); if for no other reason, this makes Lords of Dogtown necessary viewing.

More tomorrow!