Zombies, Brickbats & Dragonflies

With real spring hitting, the black flies are finally out, along with the blessings of night moths and my first glimpse of butterflies and dragonflies yesterday by daylight. I love this time of year -- so, to commemorate the new awakening, here's some early morning dragonflies for you. Dragonflies courtesy of my daughter Maia Bissette ('Technicfarce' c 2007 Maia Rose Bissette) -- Thanks, Maia!

Whoa, sobering news yesterday for Chrysler's 80,000 US employees, and another major landmark in the changing times as we continue to lurch into the 21st Century.

Don't underestimate the import of this devastating turn for the auto manufacturer, which unmoors one of the true 20th Century corporate giants those of my generation grew up with as an economic anchor, for better or worse.

Seismic shocks of another kind are continuing to hammer the fringes of the Bush Administration, apart from our ruinous foreign policies and wars:

A panel of executives at the World Bank just ruled that its President (and Bush appointee) Paul Wolfowitz broke the bank's code of conduct and violated the terms of his contract,

but the big news this morning is that the second highest official in the US Justice Department, Paul McNulty, is resigning -- maybe Alberto Gonzales will yet have to pay the piper for his crimes against the Constitution?

Time will tell... keep an eye on these ongoing situations.

Not having enough real-life apocalyptic catastrophes in our own lives, my stepson Mike and I dashed out last night for the viral armageddon opus 28 Weeks Later. I had some fun with it; the film is an invigorating and sturdily made outing for most of its running time, but ran out of gas in its final act. Six+ screenwriters credited, and nothing new to add to its subgenre; it's 20th Century Fox's genre subsidiary Fox Atomic doing its bit for keeping derivative traditions we used to depend upon cheapjack producers to keep alive back in the '80s (and the second such Fox Atomic outing I've seen in a little over a month, on the heels of The Hills Have Eyes 2, which was nastier, meatier, more satisfying fare for this depraved horror addict). Still, nice to see a flick with Mike, and we enjoyed the time out -- more on 28 Weeks Later when I play Cine-Ketchup next week (after a long hiatus posting such comments, though I've seen tons of movies). I hope to see Paul Verhoeven's Black Book before then, too (a return to form for a one-time masterful director?)... lots to talk about in that department.

But here's what I really want to share with you all this fine rainy Tuesday, to wind up on a cheerier note. This just in from Colin Mathieson and Dave West of Accent UK, aimed at contributors to the Zombies anthology, but worth sharing with all of you as a report of that collection's successful debut and an update:

Dear All

Just back from Bristol earlier today so brief update on what was probably our best ever convention!

We’re very pleased to report that Zombies was a well received hit with record sales and an overwhelmingly positive response. Everyone commented on the quality of the strips, the design and the printing with the result that there was a real buzz about the book.

Thankfully many of you were there and able to share in the moment and enjoy what had to be one of the busiest Bristols ever (despite the weather!). It was great catching up with you all and registering everyone’s delight with the way the book turned out and hear of your own creative projects and ideas for Robots – actually we had several ‘new’ interested writers and artists wanting to contribute to next year’s Robots so we’re expecting another strong batch of submissions.

"An Alphabet of Zombie" (c) 2007 SR & Daniel Bissette

We are hoping for a wide coverage and distribution with us being approached over the weekend by no less than 5 separate retailers to stock both Zombies and our other release Wolfmen, with provisional deals set up with 2 others! We also had an encouraging meeting with Diamond’s representatives (and await their USA panel review with interest) so your work is getting the best chance of a wide audience and will hopefully complement and highlight your own individual projects.

Special congratulations must also go to Andy Winter, whose Hero Killers book deservedly won this year’s Eagle for favourite British black and white comic book. Andy’s award nicely follows last year’s success for fellow Zombies contributor Dave Hitchcock’s Spring Heeled Jack series, so well done chaps!

A fuller report on Bristol will follow on the website in due course and we’ll keep you informed of Zombies progress but in the meantime thanks once again for all your hard work and being a successful part of our annual anthology.

Cheers

Colin M and Dave W

Colin added, "Zombies had a tremendous reception – your cover really caught everyone’s attention and when they saw the quality of the strips inside, it was an easy sell! Several buyers mentioned your Indie Spinner interview too, so that proves the plugging works!!"

Shameless huckster Bissette signing off, reminding you to

keep an eye on the Accent UK site for photos, updates, news and ordering info -- remember, Zombies does not yet have a US distributor, so you may want to order your copies now via Accent UK --

-- and to have a great Tuesday, one and all. Cheers!

Zombies Land at British Con!

All Not Yet Eaten, But Give Them Time...

Just got a couple of emails this week from Accent UK's Colin Mathieson -- the Zombies anthology arrived hot from the presses from the printer, and Colin is overjoyed.

He wrote Thursday, "Just a quick note Steve to let you and the CCS students know that Zombies is back from the printers and looks absolutely awesome!

The print quality and new UK format is really effective and showcases everyones work a treat and as for the cover, well with the standout red and white on top of your image, it really is something and guaranteed to stand out at Bristol this weekend."

Yep, Zombies makes its world debut this weekend at the Bristol International Comic Expo in Bristol, England. (For those who care, this marks my 'return' to comics for most folks, though my retirement from the US comics industry stands.)

"We'll take plenty of photos and post a report on our site afterwards which I'll forward to you," Colin writes, "and there should also be some of the Danish guys from last year's Copenhagen festival (where Zombies of course was given life!) so will pass on your hellos too."

Thanks, please do, and as you read this Colin and his Accent UK compadre Dave West are already en route or setting up at Bristol. Here's the scoop, for any of you reading who are in the UK:

The UK's premiere comics event, THE BRISTOL INTERNATIONAL COMIC EXPO, returns for its ninth year on the 12th & 13th May 2007 at the British Empire & Commonwealth Exhibition Hall and Ramada Plaza Hotel, Bristol, UK.

Home of the Eagle Awards, panels, workshops, cream teas and scones with many guests including Dave Gibbons, Kurt Busiek, Brian Vaughan, Jeffrey Brown, Ian Gibson, Bryan Talbot, Charlie Adlard, Duncan Fegredo, Jean-Pierre Dionnet and many more.

Loads of indie creators including of course Accent UK's much anticipated launch of Zombies, a bumper 168 page anthology of all things Zombies from a host of European and North and South American creators who prove there's still 'life' in the undead genre yet!

Accent UK are also releasing Wolfmen, an original tale of Gangsters, London, Horror, intrigue and surprises from Dave West and Andy Bloor.

Zombies will retail for $10 and Wolfmen's 56 pages at $5 with very limited sketchbook editions also available at the show.

Further details on Bristol are posted here, at this link,

and here's the Accent UK site.

Ah, there 'tis. Zombies is out at last, and I'm eager to see it -- the copies for CCS and myself and my son Dan will be on the way next week. I'll have some copies to sell via my new website (its debut 'US exclusive') -- More info soon!

Have a great Friday, one and all...

Sunday Morning Review of Books...

...and comics.

Well, at least an overview of some recent and upcoming publications that may be of interest to some of you.

An opening morning thought (compliments of HomeyM, thanks, Homey!):

"The creative process is a process of waiting, trusting, acting, it has a deep wisdom, if we will surrender to it. The power of the unconscious rises to the page. It can be frightening. It is difficult. But it is in the vitality of this struggle between the writer and the word that we can create transformative work. Each book I have written has transformed me in the process. I write myself to the other side of my question..."

- Terry Tempest Williams

This past Friday, Charlito and Mister Phil

of the popular podcast venue Indie Spinner Rack

visited the Center for Cartoon Studies and interviewed yours truly at great length; that'll be online soon. As CCS fellow faculty member Robyn Chapman points out, Indie Spinner Rack has been a great supporter of CCS -- "they are donating half of the profits from their upcoming anthology to CCS," Robyn says -- and they are excellent promoters. Charlito is also a fellow XQB (Kubert School graduate), and it so happens we first met and he was a student there when I visited the school and presented an early version of the ever-expanding Journeys Into Fear: A History of Horror Comics slide show lecture.

Anyhoot, among the many things Charlito and Mister Phil grilled me about was "Why isn't there any new Bissette comics?," a question touched upon ad infinitum here from time to time. Which leads me to this morning's subject:

My work appears in a number of new comics and books! Here's a quick review of those goodies, now out and/or about to hit the shelves:

* Rick Veitch's King Hell Press is just releasing Rick's new anthology Shiny Beasts; for more relevant info, memories and details, and a peek at the story and artwork I had a hand in that appears in this anthology, check out

this previous blog posting,

and this one,

and then there's this, too! All worth visiting or revisiting.

Best of all, though, is Rick's own preview section he's posted online, here!

* The latest issue of Bob McLeod's magazine Rough Stuff #4 features an illustrated overview of some of my Swamp Thing pencils, with insights by yours truly, and best of all a lengthy illustrated interview with my venerable amigo and fellow Swamp Thing vet John Totleben. Pick it up, and pronto -- it's on the shelves now, or you can order your copy immediately

at the TwoMorrows publisher website.

I wrote about this issue on the blog

here

and here, including art, links, etc. of interest and delivering some immediate gratification and eye-candy delights.

* So much for vintage Bissette -- there's new stuff, too. here's the upcoming (shipping in May!) Accent UK Zombies anthology, for which I drew a cover, some interior spot illustrations, and completed a brand-new four-page Edward-Gorey like humor piece working with my son Daniel Bissette,

which I first announced here,

discussed at some length here,

blathered more about with this post,

and provided bios for the anthology's fellow contributors here.

That Zombies also features some stories and art by Center for Cartoon Studies students is a plus in my book, too!

I'm not sure if this anthology is going to make it over to the US, so best you check out

the Accent UK site and see about ordering your copy online, just in case.

I'll be posting more info, links, and tidbits on Zombies -- and the planned US followup, featuring much all-new work (including new material by yours truly!) -- later this coming month and spring. Keep your eye on this blog!

* In stores right now is the third (and, alas, final) issue of Mark Martin's most recent anthology Runaway Comics

which prints the complete version of "Blog Opera," the amazing story featuring me, Steve Bissette, trying to rescue my friend Mike Dobbs's severed head, which I previewed here

(lifting the images from Mark Martin's marvelous blog "Jabberous," which is forever linked on the menu at your immediate right), and which places me at last in the Brain That Wouldn't Die pantheon I secretly forever longed to belong to.

Thanks, Mark! Do I give head as well as I take head? You'll have to buy Runaway Comics #3 to find out!

I also have a teeny, tiny li'l drawing that's part of Mark's eye-popping back cover painting,

and you can find out the secrets of this back cover painting here, including my part in it -- scroll down the menu at the left Mark has created, and click on the contribution by everyone Mark invited to "come draw with me!" (which is also covered -- pun intended -- in the pages of Runaway Comics #3)!

So, don't hesitate, run right out today and pick up your copy of Runaway Comics #3! While you're at it, get Runaway Comics #1 and 2, too -- all great, fun reading -- and all available

here, where you can also preview every issue as well, right now.

Check 'em out, and tell Mark I sent you.

* I've also written the introductions for two new graphic novel collections -- one a partial reprint extensively revised and expanded into a whole new graphic novel, the other reprinting for the first time a seminal body of Teenage Mutant Ninja Turtle work by Michael Zulli. Both, though, are well worth picking up, and pronto!

If you scroll down a bit, you'll find my writeup of Michael Zulli's excellent TMNT: Soul's Winter here,

and you can order a copy here (with Michael's exquisite & exclusive signed bookplate as a bonus)!

* The amazing new graphic novel I proudly scribed an intro for is Rob Walton's masterpiece Ragmop, which doesn't "just" collect the existing pair of Ragmop series from the mid-1990s -- don't believe those know-it-all online putzes and pundits who claim otherwise.
Ragmop, the book, is not a reprint edition -- Rob completely revised, revamped, redrew, rewrote, and expanded the whole into a complete, self-standing and mighty hilarious satiric epic that is hands-down one of my favorite graphic novels of all time!

Here's Rob's blog and site, always worth a visit (on a regular basis),

and here's where you must immediately go and purchase a copy of Ragmop with the limited edition signed color bookplate -- no, right now. No excuses.

You think I refer to something as "my favorite graphic novel of all time" lightly?

So, there. Some new Bissette, some old Bissette -- all in print now, and in comics shops and bookstores now.

Now, I personally know how many of you did (and most of all how many didn't) order my son Dan's zine Hot Chicks Take Huge Shits last year, with my first-ever all-new comic story of the Millennium. A vast yawn greeted Dan and I with that little wonder. There's a stack of 'em signed sitting here in the SpiderBaby backstock; Dan was so discouraged with the cosmic indifference to his first effort he damn near killed himself -- good thing I talked him down out of that tree. That's right -- and it would have been your fault!

You don't really care whether I draw comics again, you just like to gripe about it, and expect me to post whatever I do online so you can dig it for free. Well, I'm on to your little game. I can just glance over at the huge stack remaining of Hot Chicks Take Huge Shits and I know what's what.

So get out there, or just click your fucking mouses, and buy the books and comics above. They're all great! I'll know if you did or didn't, bunky. Quit whining about my not doing anything and go buy 'em all, or leave me alone!

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On another matter all together, which Ragmop creator Rob Walton and I talked about during his visit here, and which Clan Apis and The Sandwalk Adventure creator (and biologist) Jay Hosler had a lot to say about during his visit to CCS, check out the comments on yesterday's blog posting for a lengthy comeback from Luke Przybylski about

this Easter blog posting, which I still stand by (your writing still played to the prejudices I noted, Luke).

I've replied in kind in the same comment thread, so check that out, too, and feel free to weigh in

(and feel free to read the local article in this recent post, too -- scroll down past the Grindhouse writeup -- as followup; that goes for you, too, Luke!).

Happy to talk about it, if anyone wishes to.

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And this just in, Naomi Wolf's sobering Guardian story about how we're currently perceived overseas, and justifiably so.

Thanks to Tim Lucas for the link -- and y'all have a good Sunday, now, y'here?

Congrats to Mike Bleier!

First off, it's a special day in our household, as my stepson Mike, Marge's younger son (of two), is graduating from his electrician apprenticeship program today. It's technically The Vermont Registered Apprenticeship Program, under the Vermont Department of Labor's umbrella; Mike put his four years in with the Hartford Career & Technology Center (Hartford Electrical 4). He still has his exam in June ahead (to get his journeyman's license), but this is a great day.

We're off to Randolph, VT (coincidentally, not far from where Mike and his wife Mary were wed last summer) for the graduation later this morning, so, well, congrats to Michael Bleier!

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But it's the CCS student sites I have to share with you this morning -- this is the last of 'em I've got links to. I'll post a roundup and permanent link from this blog tomorrow!

First up,

Morgan Pielli dances paper clips and dinosaurs on his site, which you know rings the chambers of my heart and chimes in my brain.

Morgan's character and concept Dinosaur Jones is still in its formative stages, though there's this -- and more -- awaiting you at Morgan's online outpost!

Bryan Stone's comics, sketchbook images and much more malingers here, including his Frogherder strips

(of which the sample shown here is strip #364!) -- much to see, read, and enjoy on Bryan's site. It's about to undergo some revisions, so don't be surprised if you catch it mid face-change soon.

Christopher Warren -- aka Radical Warren -- has staked out this virtual turf as his own, with attitude!

Here's one of my current faves from Chris's site; he's an aggressive online comics creator, and there's also numerous links to other online comics sites from Chris's digs, which also offer some lively diversions.


(Chris did me a good turn by handling all the scanning and digital cleanup tasks on my contributions to the Accent UK Zombies anthology, so I owe him big time, despite the meager miserly paycheck he earned from yours truly on that gig -- hence his site being our CCS sendoff for Saturday. Enjoy!)

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Since my intro to Criswell yesterday only managed to provoke my compadres (nyuk, nyuk), I'll present today's unadorned, save to say -- uh, maybe Criswell got his year wrong on this one. We can only hope!:

Criswell Predicts!

American Tragedy 1980

I regret to predict an American tragedy on November 11, 1980! An instant newsflash from the White House will tell of the first suicide of an American president! This President will be popularly elected with much promise, but the Public will turn against him, and he will be the most hated official in all history. I predict that the suicide will take place in the lonely small hours of the morning. A shot will be heard, and upon investigating, his wife will find the sprawled body of her husband in his private office. A gentle rain will be falling, as will the tears of all Americans! The dead man did not fail us, we failed him!

Have a great Saturday AM, one and all!

Inkslingers, Assemble!

Compliments of curator Idoline Duke of

the Helen Day Art Center in Stowe, VT

comes this tasty portrait from

this past Wednesday's VT cartoonists gatherum in Burlington.

From left to right, back row: Jeff Danziger, James Kochalka, and yours truly; front row: Harry Bliss, Ed Koren, James Sturm. A fine time was had by all, and the dinner afterworks (at the Pacific Rim eatery) was delish and great fun.
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Zombies Bios

Here's the lineup of fellow American cartoonists I appear alongside in the upcoming Accent UK Zombies anthology. More info & images as May -- and the anthology's publication -- approaches!

Daniel Bissette is a native Vermonter (b 1985) and has been drawing, writing and making music of one kind or another (drums, guitar, etc.) all life. His art appears in an Italian book on Lucio Fulci, onscreen in Lance Weiler's new feature film Head Trauma, on its companion alternative soundtrack CD Cursed, and his first self-published zine was Hot Chicks Take Huge Shits (2006). He lives in Brattleboro, VT, DJs for the local radio station, and he and his dad Steve jammed on a piece for the mini-comic Trees & Hills and Friends before re-teaming for this anthology.

Chuck Forsman currently attends The Center for Cartoon Studies in White River Junction, Vermont where he researches how to sleep less and draw more. Visit

http://mcbuck.wordpress.com.

Jaci June is a student of the Center for Cartoon Studies, and a former resident of southern California. Comix for Jaci are what brains are for zombies: vital sustenance.

Sean Morgan: Born a cowboy, raised a Creole, forever a Yankee. There's no button Mr. Morgan won't push. His artwork (including the monster cover/splash) graces the “Jersey Devil” minicomic packaged with the Heretic DVD release of The Last Broadcast.

Bob Oxman was born in Ohio and raised in New Hampshire where he discovered his three loves: comic books, skateboarding, and beer. Bob started drawing comics in math class using graphing paper. At the University of California Santa Barbara, Bob and Mark Smith cofounded the Comic Book Creator’s Co-op, creating comics published in both campus newspapers and teaching a popular colloquium on graphic novels during their senior year. After college, Bob drifted through a series of uninspiring occupations (temping at a gel implants corporation, working for an insurance company, etc.), eventually moving back home to NH to attend classes at The Center for Cartoon Studies. Bob is currently hard at work on Smuttynose, a macabre retelling of the infamous Smuttynose Island, Maine axe murders of 1873, and he brews several fine beers featuring comic labels, as he works professionally in art crime prevention at the Hood Museum of Art for Dartmouth College.

Against his wishes, Morgan Pielli was born in Connecticut. Here he began creating comics of dubious quality from the tender age of seven. At age twelve his cartoons began appearing in the school newspaper; and the tragic course he had set was clear. But in an unexpected moment of weakness, Morgan decided that a classical art education was needed. After four years of painting pictures of squares bigger than his head, Morgan physically pried a BFA from the cold unfeeling hands of Bard College president Leon Botstein. Dr. Botstein shook his fist and cursed Morgan, vowing to someday have his revenge.Currently Morgan resides in Vermont where he attends the Center for Cartoon Studies. His cartoons “The Dancing Paperclip of Tormented Souls” and “Morgan's Guide to a Fruitful Life” are read by several people world-wide and enjoyed by nearly as many. Morgan's work can be found at

http://morganpielli.rated-arr.net

if you're into that sort of thing.

Jeremiah Piersol is a 2002 graduate of Art Center of College of Design, Pasadena , California (Bachelors of Fine Art). He is currently studying cartooning at The Center for Cartoon Studies, White River Junction, VT. His past endeavors including interning at the The Susquehanna Art Museum, Harrisburg, PA, and volunteer work at The State Museum of Pennsylvania, Harrisburg, PA. and The Water Street Rescue Mission, Lancaster, PA; he was born in Lancaster. Jeremiah’s interests include Art in all forms, comics, quantum physics, paranormal research, post-modern theory, and popular culture.

Denis St. John (b 1981) heralds from most of the United States (California, New Orleans, Washington D.C., the Midwest, etc.). Denis was a local children’s show host in Indiana and co-host for a midnight horror show, often playing the creature for the creature feature, alongside the very real and cranky Dr. Calamari. Denis is currently a student at the Center for Cartoon Studies in Vermont, and is trying to move on with his life after the glamour of children’s show host fame has faded.

B.C. Sterrett was born and raised in Ogden, Utah. His ongoing comic strip "The Sweetest of Dreams" has been published by Young American Comics, in entertainment rags like Melting Music and The Salt Shaker, and various other school papers, zines, and newsletters. He acts as founder and current director of the Lost Media Archive Museum and Library, salvaging and saving forgotten and obsolete media formats. Previous host of the long running "Oddity Rock Radio Show" on KWCR, he and has produced and hosted various broadcasts of rare and unusual music throughout the years (i.e. "Outsider Music" on live365.com). He is currently a student at The Center For Cartoon Studies, in White River Junction, VT. Contact: bcsterrett@gmail.com

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BTW, speaking of Blair and his creative and archival endeavors, the January 13th Lost Media Archive Museum and Library event I noted

in my January 13th post on this blog (scroll down to that day's posting, just below the glowering Varnae art) yielded photos by Blair's friend Janean Parker,

which are posted online here -- check 'em out!

Check it all out, please, and savor the beauty of it all.

Have a Great Saturday, One & All!

Zombies!,
Digging Out,
& Citro Speaks!

Hey, folks, Bissette horror comics are back!

Well, sort of.

Here's my cover art for the upcoming Accent UK anthology Zombies, just in from editors Dave West and Colin Mathieson. Their designer Andy Bloor took my black-and-white original (after Dave and Colin chose their favorite of the three potential cover images I submitted) and dressed it up with this straightforward bullseye-to-the-cornea use of color, which works beautifully.

Kudos to you, Andy! I love it.

Colin writes to say, "the issue will be released in the UK in May at the Comic Expo event in Bristol 12th/13th May, (with final line up and cover price shortly to be fixed) but we are also looking at possible distribution through Diamond so the book can be widely available to our colonial cousins! More to come on all that later..."

Of the Accent UK contributors from their side of the Atlantic, it's worth noting again that this whole project emerged from a conversation with John Reppion, Leah Moore and Colin and Dave in Denmark, the seed for which was planted in front of the Accent UK booth at the Copenhagen convention Komiks.DK 2006 we all attended in March/April. If I may quote a May 31st email from Colin, he recalls, "It's actually John's fault that we changed the theme on hearing of his zombie fixation and Leah's banter with him about it ("Oh you and your zombies!"), which made us realize that Zombies had that immediacy and fun element which could be interpreted in lots of different ways for an anthology, and would also prove an interesting rematch for the Moore, Reppion and Hitchcock team, so a quick editorial meeting on our return to the UK and we were away!"

So, leading the pack will be a new collaboration from the Leah Moore, John Reppion and Dave Hitchcock team. Colin and Dave first sent out the invitation to contribute to their Accent UK circle (and yours truly) on October 1st, 2006, and the project soon swelled beyond the parameters of their previous anthology Monsters to become Accent UK's first book-format, squarebound anthology. Once Dave and Colin responded positively to my suggestion that I work with Dan and Maia on stories, and extend the invitation to CCS students, I was fully committed and did my best to give Accent UK something memorable from the US. Proud to be part of it!

The other UK contributors include Dave West and Colin Mathieson themselves, cover designer Andy Bloor (solo and working with writer Kieron Gillen); Kieren Brown & Tom Jileson, Jason Cobley & Paul Harrison-Davies, Bridgeen Gillespie, Taboo vets Shane Oakley and Gary Crutchley (solo stories, not collaborating this time around), Laura Howell, David Baillie, Andrew Cheverton (solo and a collaboration with Tim Keable), Garry Brown, Owen Johnson, James Gray, Darren Ellis & Roland Bird, Graeme Neil Reid, Paul Cartwright, Jon Ayre & One Neck, Phil Rigby & Manoel Magalhães, Benjamin Dickson, Tony Hitchman & Leonie O'Moore, Indio, Chris Dingsdale & Dan Denholt, Matt Boyce, Andy Winter & Natalie Sandells, Matt Timson, Chris Doherty and others I don't know about as yet.

Want to see more? Well, Dave will be updating

the Accent UK site this weekend to include all this and more,

so keep that website tabbed on your computer for updates. I'll keep mum about my son Dan's and my own contributions to the anthology until we get closer to publication date. I will, however, offer snapshots of the horrific stories and art contributions from the Center for Cartoon Studies artists/writers: Morgan Pielli, Jeremiah Piersol, B.C. Sterrett, Sean Morgan, Matt Young, Chuck Forsman, Bob Oxman, Denis St. John and Jaci June -- including links to their respective sites -- in the coming weeks.

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That said, in reply to emails I've been receiving since the weekend announcement of this project: No, I'm not out of retirement. My retirement from the US comics industry stands.

I've drawn comics for myself all along, in my sketchbooks and such, and happily open up when it involves CCS, my son Dan, daughter Maia or friends; with Dan's Hot Chicks Take Huge Shits zine, the Trees & Hills anthology of last fall, and this upcoming Zombies collection (for a UK publisher), I'm indeed visible in print again, enjoying playing in the medium again, and glad some of what I'm up to will reach those of you who care. But this doesn't mean you'll be seeing me in the DC, Marvel, Dark Horse or Image plantations again -- far from it (& them). So quell any such anticipation, folks. If I do pursue inroads to future publication, it won't be in the US comics industry proper, such as it remains.

But if you do care, you'll read about whatever the heck it may be, and see samples of the art and/or creative effort, here first. To quote you-know-who, "'Nuff said!"

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Just shoveled out before starting this post -- as of 5 AM, we ended up with 20+ inches here in Windsor. I got out early to shovel because once the sun hits this snow, it's gonna get heavy to shovel; no doubt, there's lots of black ice under this snow cover on the roads, too. Luckily, we've got no wind here on Taylor Drive, quite unlike our old Marlboro home, which was always buffeted with winds in these kinds of storms. My stepson Mike told Marge last night that over in Claremont, NH (about a half hour from our Windsor digs) they were getting heavy wind last night, creating massive snowdrifts. We've none of that here, the snow lays where and as it fell.

Shoveled out our front steps and walk, over to the propane fill 'cap' further into the front yard, then stomped on down to the foot of the driveway to see if our morning paper was there. Viola! There it was, atop the snow, just tossed -- had I waited till the plows were out, we would have found it in the spring.

The storm is truly over: the sky is crystal clear, the stars (and a sprinkle of the Milky Way) visible horizon to horizon. I took a little walk around the neighborhood, until my glasses fogged so I could no longer see... by then my beard was crusted with frost and ice, too, so back home I went, scraped out in front of the garage doors, and came back in to hear the phone ring. Marge's school is delayed two hours, so she's able to sleep in again, lucky woman. I can hear her snoozing downstairs.

I've got the TV on: Burlington's WCAX (Channel 3) is reporting 40 inches in Jefferson, NH; here in VT, I caught reports for Bolton Valley, 40 inches; Stowe, 29 inches; 24+ in Burlington (now in top ten biggest snowstorms in that area in recorded history), etc. We're all digging out now, eh?

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One of my best friends is Joe Citro, writer/novelist/folklorist extraordinaire, and Joe has

long had a website, graced with his grinning mug and tons of info about the man, his work and his obsessions.

Well, those he cares to share with the public, that is.



But now, Joe's taken his maiden voyage

into the blogosphere, posting all-new research, stories and photos!

Joe has launched the blog with a complete story about the mysterious Bristol "treasure mines," complete with some truly evocative photos Joe snapped himself during a summer visit to this most treacherous of all VT locales -- it's tough to keep your footing amid the rocky debris from a century past, and Joe risked neck and limb (and ankles) to explore this terrain first-hand.

It's quite a story, one that still scars the landscape of the Bristol woods and hillsides...

"Shafts caved in, filled with stifling gas, or flooded with water. As much effort went into reclaiming holes as digging them. But no treasure came to light. After more than twelve years and thousands of dollars, Uncle Sim gave up.

But unlike the rock face of South Mountain, Uncle Sim’s faith was never shattered. About a decade later he returned alone. He had met a new conjurer who assured him that by moving just a few stones he could open a passage leading directly to the treasure...."

This is just the beginning of what will no doubt be an entertaining and at times astounding blog resource, particularly to those of you who are already Citro readers/fans/acolytes and/or folklore and stories "that might not be fiction," as Joe prefers to call 'em. And he always calls 'em as he sees 'em.

Joe and I have dabbled with a number of pet projects over the years. Some have yielded results you can still purchase on Joe's site --


Prominent among our dabblings remains the still-in-print & selling nicely, thank you, paperback book The Vermont Ghost Guide, which sports a full-color cover painting (of Emily on her famed Stowe, VT bridge) by yours truly and a plethora of black-and-white Bissette illustrations inside. This was among the most rewarding of all our ventures (just got a royalty check last week), and it's an ideal guide for driving around VT and seeking out the state's weirdest haunts: the book is designed around the VT map on the back cover, number-coding the locations, town by town, village by village, of the alphabetically-arranged spectral stories inside.

Joe and I also "cooked the book" a bit: there's one, and I do mean one, VT ghost story in the book that we completely made up! It does feature one of my coolest b&w illos, and we milk it for all it's worth. See if you can figure out which ghost is the phoney, folks -- but you'll have to buy a copy to play the game.


I also did the cover art for the University Press of New England paperback edition of Joe's 'stories that might not be fiction' tome Green Mountains, Dark Tales -- which is still available from Joe's site, and well worth picking up.

I also have one color full-page illustration (of the Pig-man) and a photo of my car -- with Marge and I waving from the top window -- poised at Greenfield, MA's 'zero gravity' zone in Joe's most recent book, Weird New England.

We also collaborated on a great full-color cartoon map of our native state marking (and illustrating) many more of our favorite Vermont's Haunts. Alas, that beautiful poster-size map is long out-of-print, and no longer available. Maybe someday we'll find a way to get it back into print... but for now, that's the scoop.

Have a great Thursday -- time to go shovel some more...